avclub-09c0167748423caf8f488def8d69c045--disqus
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avclub-09c0167748423caf8f488def8d69c045--disqus

I'm guessing that's what attracted David Cameron into politics in the first place.

It's not been used in literature yet?

I guess Trump doesn't have a lisp.

I'm more than a little bemused that the PwC people — who were in charge of handling the cards — are getting a completely free pass in all the discussion I've seen. I mean, isn't taking care of details such as this pretty much the entire raison d'etre of their entire freaking profession? Unlike, say, a couple of

Chekhov's crush hazard…

It can be two things…

Just for the sake of it: Anthony and Priya do actually survive the Dollhouse.

I believe the plural would be "Hendrices"…

Eels.

Who knew they were French?

Not sure why Cloverfield isn't on this list, to be honest…

Not sure why Cloverfield isn't on this list, to be honest…

If you liked the unobtrusiveness of the 3D in Prometheus, it was even less obtrusive in the 2D version!

If you liked the unobtrusiveness of the 3D in Prometheus, it was even less obtrusive in the 2D version!

Just occurred to me that we only have the Doctor's word that their kindness will kill Amy. And we've already established Rule One…

I'm pretty sure Germaine Greer made exactly this point in The Female Eunuch, extending it to point out that size is also being made part of the issue: large dicks = "good", large cunts = "bad"*. This adds another layer — on top of the basic sexist overtones — which attempts to dictate womens' attitudes to their own

Count me in the "still dreaming at end" camp. Aside from just plain liking the idea that Mal still survives in a "more real" level, I'd also like to point out that Cobb gives something away right at the end, when he stops bothering to watch the totem in favour of seeing his kids. He truly had decided, as suggested by

The building in question was being kept afloat by large air bags, which Bond shoots out quite intentionally at the beginning of the sequence. These floats are not uncommon in Venice, where the whole city is slowly sinking.

I always figured that the Dream was one of escape from their respective situations at the start of the film (mundanity, superfluity of existence, the slow spiral of decline into drudgery and eventual death; whatever), a dream shown to be stillborn, hence the Requiem.