Yes, the soundtrack is really, really good. It's very reminiscent of Young Frankenstein's score (John Morris did both).

Has anybody else seen "The Twelve Chairs"? I think it's pretty underrated, and it's very different from all of his other movies (it's his take on a Russian farce). It has its broad moments, but it also has a really good melancholy vibe to it, especially at the end.

Has anybody else seen "The Twelve Chairs"? I think it's pretty underrated, and it's very different from all of his other movies (it's his take on a Russian farce). It has its broad moments, but it also has a really good melancholy vibe to it, especially at the end.

Finally got to see this. I really hope it makes it to more theaters soon, because it is a fantastic experience.

Finally got to see this. I really hope it makes it to more theaters soon, because it is a fantastic experience.

I also can't stand McKinnon. I hate how she constantly steals focus with the same goofy expression that she uses for every character. She can be good when she's the lead in a sketch, but she seems incapable of just playing a normal person and supporting her fellow actors.

I also can't stand McKinnon. I hate how she constantly steals focus with the same goofy expression that she uses for every character. She can be good when she's the lead in a sketch, but she seems incapable of just playing a normal person and supporting her fellow actors.

@avclub-dfd10b577adecd1f6ae8c9a477b0bf2d:disqus  I find it somewhat plausible that Armisen is just fucking with SNL at this point.

@avclub-dfd10b577adecd1f6ae8c9a477b0bf2d:disqus  I find it somewhat plausible that Armisen is just fucking with SNL at this point.

His Danish Frank Sinatra sketch was fantastic. I think he seems unfunny because his weirdness doesn't really fit in with the rest of SNL, but that's why you have to pretend he's invading SNL from another, more interesting show.

His Danish Frank Sinatra sketch was fantastic. I think he seems unfunny because his weirdness doesn't really fit in with the rest of SNL, but that's why you have to pretend he's invading SNL from another, more interesting show.

Yeah, but if the show's premise is based on it falling apart, it's intentionally taking the risk that its episodes won't always be good. Just because he's designed the show to get awkward doesn't mean that that awkwardness will always be worth listening to.

Yeah, but if the show's premise is based on it falling apart, it's intentionally taking the risk that its episodes won't always be good. Just because he's designed the show to get awkward doesn't mean that that awkwardness will always be worth listening to.

We Hate Movies has soured on me a little ever since I started listening to the Flop House. We Hate Movies is very long and angry while Flop House is very succinct and witty. I get the appeal of WHM, and I still like it, but I don't feel the need to finish every episode like I do with the Flop House.

We Hate Movies has soured on me a little ever since I started listening to the Flop House. We Hate Movies is very long and angry while Flop House is very succinct and witty. I get the appeal of WHM, and I still like it, but I don't feel the need to finish every episode like I do with the Flop House.

Too bad they'll grow up to be cows.

Too bad they'll grow up to be cows.

I'd love to see Hamill come back, and I'd hate to see Ford come back. I guess it's because Luke is the kind of character I enjoy watching mature and grow, while Han is the kind of character who should stay the same forever.
So maybe we'll find out that Han got frozen again right after ROTJ.

I'd love to see Hamill come back, and I'd hate to see Ford come back. I guess it's because Luke is the kind of character I enjoy watching mature and grow, while Han is the kind of character who should stay the same forever.
So maybe we'll find out that Han got frozen again right after ROTJ.

Huh? No.