Turnstyled & Junkpiled and I Ain't Leaving Your Love are two of my all-time favourites.

I'm late to this party, but I can't believe that someone referred to Dogberry as "the inept security guard from Much Ado About Nothing" and everyone just let it pass. What the hell? Where are the pedants, detail geeks and anal retentives that the AV Club boards depend on?

The first season of Trailer Park Boys seems a more natural choice. Or a TV Club Classic of Twitch City — that would be awesome, and weirdly fitting, given its dominant storyline.

Oh, come on, it's not an M Night Shyamalan joint. The movie won't be any less funny and mean-spirited (it's both and I remember loving it) just because you know (part of) what happens.

Wait, FidelAstro brought up a very important point that's being lost here: Ovechkin is, unquestionably, a showboating idiot who chokes the bone any time it really matters, am I right?

>>Who else are we going to hammer?

This is a rip-off of that Idiot Game movie, right? Cause that movie was fucking hilarious. This movie looks awful.

@ Chartex — I think he could have pushed it more in a dreamlike direction (atmosphere, texture, surrealistic, whatever) without compromising the coherency of his heist-plot. And he certainly could have paid off on those promised labyrinths. He promised me labyrinths! And all I got was a damn shortcut through the…

Oh, dear dear superdeformed. Dear dear dear superdeformed. It was never an 'argument", you tool, it was a statement. My expectations were this, the movie was that. If I'd known the movie was going to be that instead of this, I wouldn't have been so excited. hey, my bad for expecting the wrong film. But I've seen…

Yeah, you can justify Nolan's choices in terms of the movie he made, it just wasn't the movie I was hoping for. Sort of like, I was hoping for David Lynch crossed with Tati's "Playtime", instead I got "the Matrix" crossed with "Shutter Island." Not a terrible movie on its own merits, but not what I wanted at all.

I was really just disappointed by
how undreamlike and un-trippy all the dream sequences were. There were some great effects/moments, but they were quite spaced out (and almost all featured in the trailer — ripoff!) The weightless sequence in the hotel was awesome, but we were promised labyrinths in the final dreams…

I don't know, in my city they offer special day-time showings for parents with infants. The volume on the film is lower, everyone has kids so no one is annoyed, there's a change station and they even give out free diapers. Awesomeness all around. Other cities must do this too.

"I Want to See the Bright Lights Tonight"

They should just plunk a motherfucking 20 minute PBS-produced doc on Paris architecture right in the middle of this badass. That would be real punk rock, man.

Man Tries to Explain Joke to Tasha, Fails Miserably
"If this economy doesn't turn around, we'll have to start making pictures with midgets."

Learning to Flinch was my entry point — and I still like some of the song versions on it better than the originals (like Lawyers, Guns & Money and Splendid Isolation).

I didn't have to come to Maui
To be treated like a jerk
How do you think I feel
When I see the bellboys smirk?

No, no, it doesn't suck at all. It's second-rate Verne (which is better than first-rate a-lot-of-people) and it doesn't exactly inspire a burning need to hunt down the second half, but I enjoyed reading it.

Hey, I have this same half-book
in the exact same edition. And I've never tracked down the second-half either (it's on my list, but not exactly the top of the list).

That's like saying a pulled groin muscle is better than a hernia.