I’ve been thinking about this for a while, but... Is there something about Vancouver that makes actors in these shows want to bail? Calista Flockhart, Victor Garber, Colton Haynes, and the woman who played Maggie Sawyer on Supergirl (forgive my laziness) have all departed from fairly solid roles on Arrowverse shows.…

Wow. The World is catching up with me. I was vexed with John Hughes’ National-Lampoon-approved racism and sexism sitting in a theater watching these movies thirty years ago.

I made it through this, but I can’t say I felt rewarded. Most of the characters acted realistically (that is, unlikable), and they made no effort to give us an uplifting ending, kinda like life. But it did contain a number of unneeded tangents to pad out the time. A lot of the time the pacing was just slack.

One of the many things I find vexing about TWD these days is how much time they are devoting, and expect us to devote (on this show and Fear), to a character as poorly defined as Morgan is. He’s killing, he’s not, he’s totally unhinged. Lennie James is a good actor, but he can’t sell all this shit.

Shit, then there’s Laurie Metcalf, who just came off an Oscar nomination. Those paychecks must have been too tempting.

So, what, are there no vacant apartments in NYC anymore? That’s the only conclusion I can come to, after Malcolm remains in his apartment down the hall from Jessica after this season.

This show continues to impress with its details. The idea that cocaine and marijuana hold no fascination for Freeland drug users after greenlight’s introduction is fascinating. There’s your antidote to legal weed, Jeff Sessions!

Keri Russell laid to waste most of series TV’s lead actresses last night. And, as usual, in a more subdued way, Matthew Rhys did so, as well. It’s sad to say, but we must accept the fact that these two may end this show under-appreciated as they began it.

I can. In pockets of Northern VA (where the Jennings live), they were boot-skooting into the 90's. I was dragged to some line-dancing extravaganza with some co-workers around 1995. The horror...

With you there. Barr is certainly entitled to her opinion. However, if she intends to lean so closely on it, especially in this position, she really should do a better job defending her position.

Hoo boy. My oldest son was an unabashed fan of the first one (I was kind of indifferent, although I’m a fan of Del Toro). Pacific Rim was pretty much his gateway into his current manga obsession.

Although I don’t believe that the show’s writers are anxious to show how nonprogressive race relations are in nearly every time period the team visits, but I think it should be addressed from time to time. Maybe they should do an episode during the Harlem Renaissance, or in mid-70's Oakland to try and balance things…

Well, ya know... Given the evidence of the twenty or so episodes, Superman pretty much doesn’t exist on Supergirl, either.

Whatever other factors there were for Chandler Riggs, I think a large part of it was they had no freaking idea what to do with the kid, storywise. And it’s been that way for a while.

I’ve been neck deep in Homeland, having binged season 6 last week, and started this one soon after. And let me say, what a mess. Carrie constantly doing irresponsible and stupid things, beginning to get her deserved comeuppance, and then being reprieved because, of course, she’s right and a conspiracy is at play. It’s…

I saw him on tour, and I grit my teeth at the more shopworn and sexist material. But then, I always have. Chris Rock is not the most progressive comedian, gender-wise.

Wesley’s trying to come back now, but he himself allowed Blade to be ruined, with the shitty Blade 3. Dominic Purcell as Dracula? Snipes forcing the producers to CGI his head on a stunt double’s body for action scenes? Come on.

It’s absolutely not surprising that Omarosa was trying to take advantage of her position, whatever that was. She was in an administration full of entitled, freebie-snatching, junketeering super-villains, like Scott Pruitt and Ryan Zinke.

My main problem with where I think they’re taking the Khalil storyline ( a turn to super-powered villainy as his injuries are repaired) is Black Lightning didn’t shoot him. He wasn’t even a target, but was collateral damage.

I was annoyed at the fact that the doc never addressed the monumental greatness of Scenario. How do you do a Tribe movie and not even mention it?