Let's look on the bright side here. Now Tim Allen has nothing to distract him from spreading the message of Donald Trump throughout the biased, close-minded entertainment community. Thak God for that.

I'm expecting a soft opening here. It's getting less promotion than previous WB action flicks. There's no hype for Charlie Hunnam, and no one gives a shit about Guy Ritchie anymore.

See, I thought that drab, monochromatic outfit he wears was the costume that Wynn promised to make for him. Looking at Wynn's previous work (the Guardian costume),it makes sense.

We all know that Mon-El isn't interesting enough to shoot his mom.

So they finally made an effort, where James is concerned. But I got something different out of the episode than the reviewer. Rather than making an effort to bring James back into the fold, it seems as though they were starting to show him to the door. Questioning his present role, facing an emotional turning point,…

I didn't say they were on the same level. But I hated Chuck almost as much, within each show's parameters.

Can we discuss Howard for a minute? He talks a good game, recognizes what the moral choice is, yet refuses to make it. He's far too weak and compromised. I wonder whether watching Chuck blow up his firm right in his face might lead him to not show so much deference to Chuck now.

In terms of TV villains, I longed for the downfall of Chuck McGill as much as Ramsay Bolton. This was long overdue. Chuck's smugness, arrogance and pettiness finally did him in. And, unless I'm mistaken, this is the biggest courtroom victory that we have seen Jimmy achieve. It would be nice if, after this massive…

Largely obscure stuff:

Though the runaway story in season one was necessary, this season definitely captures the aftermath of being enslaved. From Rosalee's desperate need to free her mother and brother from bondage, to Noah's traumatized fear to return to the South, and Cato's provocative desire for revenge on the entire system, these are…

I resisted this show initially. The juxtaposition between the slave narrative and the suspense beats of the runaway story seemed to be a trivialization to me. However, I was curious about the largely favorable response that it had received. So, I caught up on the first season and saw that the show had largely…

I haven't said this today yet, so I might as well now: God, what a fucking idiot.

Tuan is lying. Not sure why, but he is doomed. And, despite Liz & Phil's wild projecting, in this uneasy post-Gabriel environment, they will find themselves having to kill him and dispose of his body.

Why so long? Two hours and fifteen minutes and it's not even an origin. I liked the last Guardians, and Gunn seems to have made his own place amid the increasingly formulaic MCU. They're selling this as a madcap space comedy. That's fine. I just hope it stays on the right side of the fun/overkill divide.

We're gonna need a bigger hallway.

I can see some bonehead on Iron Fist justifying that by suggesting that showing Kun-Lun would have been "jarring" to the NYC-based story they were trying to tell.

I find it strange that, now that she and Mon-El have consummated their relationship, he's become pretty useless as a character. I'd accept this as a comment on how similarly female characters are treated on other shows when the genders are reversed, but I think that's giving them too much credit.

Sure, Iris is doomed to die, but why is Joe hesitant to reveal he's part of Team Flash? Virtually every character who has more than three lines on the show gets looped in, and there have been little negative repercussions yet. It Is annoying when you think about how much time they wasted on this last season with…

Two things! Two things!

Trump Cowardice is still a thing. Right, South Park?