I always thought that a good way to exploit the movie in the comic would have been for the "real" Constantine to travel to Los Angeles to find out who was this dark-haired guy impersonating him.

Creepy beyond words.

Has it been made clear just what substance Alfred and Darius are selling? I assumed it was weed, and they were getting high on their own supply. Maybe not.

Stuff this week:

I just hope that Clayne Crawford is nicer to his Russian mistress than his predecessor was.

And then they came for me?

I don't think the difference between Vanessa voicing doubts about how working with Alfred would effect Earn's ability to help with their daughter, and Earn's dismissive comment about her wanting to open a boutique, carry the same weight.

Hey, I come from a black family, and I feel you on that point.

I think what bothered me most is how indulgent she is of these awful kids. If I had a red-Solo-cup-fueled rager at my mom's house at the age of 16, I'd still be getting punished for it.

Yah played yahself!

Plus, lawyers got paid.

Spawn, as a character, was limited in every way (characterization, motivation, setting, villains), and everyone seemed to realize it but McFarlane. So that, combined with the flatness and lack of creativity of McFarlane's writing, brought the character to a dead end sooner than even some of the other first-wave Image…

I don't know that Ghost Rider is the best fit for this show. But given the relative unfamiliarity of the car-driving version, maybe it won't be a total mess. At least the car guy doesn't have the total stink of failure that the Nic Cage motorcycle guy does.

I'm trusting Glover to make Vanessa more than just the "killjoy girlfriend." For starters, her concerns are real. Earn isn't really pulling his weight when it comes to their daughter. And the rap hustle is really pie-in-the-sky. Add to that the fact that she apparently has dreams of her own (that Earn feels free to…

Plus the song in that commercial is the worst. It's like cancer you can listen to.

Okay. That, too.

I would dearly like to separate this movie and its subject from the filmmaker, who, let's face it, is not going to be afforded the discretion shown to Roman Polanski or Woody Allen.

Also, with Namor's arrogance, and the Hulk's aggression, they fought each other nearly as much as their villains.

I loved the episode of Empire, when the obviously outmatched Hakeem went up against Frieda in a rap battle, and he ended up winning, due to his superior "showmanship."

Mr. Robot is so inconsistent with its f-bomb bleeping, I get the impression the censor is doing it live, and keeps missing them.