I don’t think this documentary can possibly be as terrible as The Great Hack in sheer spectacle over content so I’m cautiously excited to see this when it comes out.

I get what you're saying, but don't forget that Sony has a much better track record with first-party titles than Microsoft ever did, and they had Rare.

Because expecting D&D to have the ability to tackle such a sensitive subject when taking into consideration their previous work would be ludicrous. They simply didn’t earn enough goodwill for people to be at least cautiously optimistic.

Considering the message and framing of the last two episodes of the show I think their worries were extremely reasonable.

I need someone to invent a voice assistant with Paget Brewster’s voice and personality. I want to narrate my every waking moment.

If you need any more proof people are trash garbage, look at this comment section and behold at people discussing a woman’s appearance like she’s a random pile of meat.

Thanks for having the patience to reply to that person as I no longer am able to, but the irony needs to be pointed out here. For someone who claims to be such a fan of the medium, completely missing the point of Nanette requires some exquisite mental gymnastics.

As a fan of stand-up do you also believe that’s a very loosely defined art form largely shaped by their performers and audience and therefore can’t be objectively stated as unfunny as tastes vary wildly? It just astonishes be that people can call themselves “fans” of an art form yet wish for homogenization of their…

Imagine if she was in an artistic medium in which its performers derive their material from observation and their own life experiences! That’s one way her material could work!

The “failed comic” who made last year’s most successful stand up special, right.

I refuse to abide by Jarmusch bashing outside this one film because Only Lovers Left Alive is one of my favorite films ever.

I take great exception to this comment especially as that film is supposed be a little overwrought but you do you. I agree Glenn should be given more roles. It’s absurd that actresses like her and Sally Field are so incredibly good at what they do yet don’t get nearly as much high profile work.

Yeah, but I think that was the point. He was breathing plot device that set the events of the show in motion, he wasn’t supposed to have any more depth because the story wasn’t about him.

True, usually people just do like I did and listen to it while crying to sleep.

Seriously. Coming into Season 2 I thought “there’s no way they can carry this show without Perry for another full season” but as soon as Mary Louise called Madeline tiny I was completely invested.

I mostly agree that I would love to see Close and Field get the same amount of love, though I wouldn’t mind Meryl snagging a couple more oscars.

Remember when she went after Snowden saying she wasn’t like him because she had a college diploma and he only had a GED, and that he was basically a traitor for whistleblowing? Good times.

Yeah, the show doesn’t really have a good track record of dealing with sexual violence. Remember when they thought they fixed the problem by having Oberyn repeatedly refer to his sister’s rape and subsequent murder at the hands of The Mountain in a hostile tone? Yeah.

If they had explicitly mentioned that I’d have agreed with you, but mentioning Ramsay Bolton made the statement exclusively about the abuse.

This episode was an incoherent mess but I’m here to talk about one character interaction in particular that didn’t sit well with me: between The Hound and Sansa.