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Bunheads was such a good counterpoint for what we consider great televisions these days and I'm so so sad that it wasn't able to connect. I finished a rewatch of the last 8 episodes today, and found myself laughing, crying, and containing chills in equal measure. My main hopes now are great things in the future from

I mean, the entire joke is that it has a 5 year old sensibility. Which I guess kind of amuses me when described, but actually watching it every week seems like a tough way to stretch out that joke.

I'm pretty sure there's 2 voices at the beginning, and one of them sounds like her trying to talk slightly deeper than usual. The one asking "What does SHIELD stand for?" about 24 seconds in: http://www.youtube.com/watc…

I'm really really liking this show, but I have no idea how the credits work for the actors. There's 4 people in the opening credits, and then I guess whoever is being featured more prominently in the "guest starring" sequence post-credits, and the rest go to the end credits? It seems to switch fairly regularly. And

Well, it's pretty easily exportable, because there's not really a plot and you don't really have to understand English to get "people dressed as cats dance around a giant tire and then go to heaven."

If I were the type of person to make gimmick accounts, I'd probably make one as "Emily" and start berating Todd on every review he posts for lying to me. (Thanks for sharing, Todd!)

Because this show calls attention to the credits, I noticed both Ryan and Wayne got Executive Producer credits, but Colin did not. Someone's gotta get a better agent. Or is it a Canada thing?

I'm pretty sure she didn't say one word until the credits.

What's not to understand? They're in rural Oklahoma territory, there's likely to be fowl on the roadways that should get out of the way of the fancy surrey Curley hired to take Laurie to the social. (I will defend Oklahoma! to the heavens).

They probably sing a few more of those songs I like?

Certainly presents an interesting notion for the origin of the word "supercalifragilisticexpialidocious."

Chim Chimany Chim Chimany Chim Chim CHEROOOOOO!

I'm not sure how these have generally done apart from the Louis CK "gamechanger" but I have to wonder how big the audience is for owning these things forever. I feel like majority of people who enjoy comedy, but aren't overly obsessive or nerdy about it, tend to want to see a special no more than once or twice, so the

God so much fanfare! This is what I come to AV Club for. The pomp.

Lunchroom stuff is always the worst, any disruption of the status quo is guaranteed to be painful. I was pretty much friendless all throughout middle/high school (though I was friendly with most people and looking back it was largely self-imposed because I thought I was so much more mature than everyone), and the most

I read through the whole paragraph describing what this show is but I still don't understand what this show is.

I was a fan of the show from the beginning, but it wasn't until my rewatch leading up to the new episodes that it became clear that Maeby really is the MVP of the show.

Tony: Why do you think David Geffen pretends to be gay? You think the Shubert Organization would entrust Dreamgirls to a straight producer?
Anne: Why do you know so much about Dreamgirls?
Tony: Because it’s my business to know about Dreamgirls. And if you wanted to be in a film version of a musical called The Magic Show

I mean, this kind of is going to be a thing, because he's producing a Harmontown documentary about the tour they did in January.

The whole run of the show is on both Netflix and Amazon Prime.