andytgerm
andytgerm
andytgerm

I think, unfortunately, Dads is contractually obligated not to be cancelled for at least 6 episodes, so the timing might be a little wonky.

I find the divisiveness of it fascinating, even though I have no intention of watching it. I'm also amused that Tim Goodman gave it a rave when he consistently talks on Twitter about how crazy everyone who likes Scandal is, and now everyone's comparing this show to that (though I haven't watched that show either.)

And he had a romantic plot last season with one of the new kids, who look slightly more like actual high schoolers. It was fairly unpleasant.

Remember when Anne Hathaway was going to be on Glee, basically because she asked Ryan Murphy at an award show or something? Boy, I'm sure the internet would have handled that appropriately.

I'm very much excited to see this, though I don't think it's airing on my PBS affiliate until tomorrow. I know a lot of people really hate Annie, mostly because of the kid-factor, but I think it's a tremendously well-constructed show with mostly terrific songs. I saw this revival close to when it opened and thought it

The head ones are pretty ok, but that Belle one with the mushroom cloud is AMAZING.

All I ever want from Mad Men is for Bert Cooper, Don Draper and Bob Benson to lead the SC&P offices in a rousing rendition of Brotherhood of Man. If we can get that energy injection episode, this shouldn't be too much to ask, Weiner!

Pretty uneventful Harmontown this week, I'd say.

I've always wanted "No One Is Alone" into "Finale" from Into the Woods played at my funeral as a song to comfort all my mourners. I'm a kind-hearted generous soul like that.

This was so good that it took me the entire episode to recover from the impact of it. And then he did the faint in the tag and I got all worked up again.

I thought Starbucks had already done that?

Is he going to have heightened empathy like Will Graham has heightened empathy? Because that could result in some interesting directions for the characters . . .

We had minor dance units in Elementary and Middle School (square dancing in Elementary was boy/girl which always caused drama, but they gave that up in middle school and just taught us party song dances to the Cotton Eye Joe). The square dancing unit in high school was a BIG DEAL. There was a competition element,

I have fairly vivid memories of being 8 or 9 years old and hoping that this song would play in the nightly "Top 5" countdown on the local top 40 station, and listening to it while I got ready for bed and it played on our hanging clock radio. What could be more awesome than every song played together? I even recognized

Also, body doubles appear at least at one point in the stage show, I'm pretty sure. And the last note is apparently too much to do that often, so it's recorded for vocal technique issues.

I'm predicting a much less sweepy night, which is always way more entertaining. I've also seen way less than I have in recent years, which can only help my accuracy. I've got:

I'd say to start go with whichever one of Wonderfalls or Pushing Daisies is more readily available to you (the former I believe is only on DVD, but I think you can find most of the 13 eps on YouTube in somewhat lower quality, the latter is streaming free on Amazon Prime). Wonderfalls is a little more normal in tone,

My lifelong obsession with funny women kicked off with a crush on Amanda Bynes, who seemed nice and normal and didn't seem to be into any kind of partying scene, which really appealed to a straight edge. When I discovered her first twitter account, I really had some reevaluating to do. As if THAT wasn't bad enough,

Fuller's decision to use Ellen Muth to play a fun-house mirror version of George from Dead Like Me is so cool. I love that he's got this stable of players who can come in to such wildly tonally disparate universes and play around and explore stuff. I'd love to see someone write a book or something about all his

Man, give it a minute, why don't ya?