Of all the boring, predictable responses, this might be the most boring and predictable.

Oh, I’d completely agree. I read the first Omnibus, and thought Kirkman did a pretty good job examining moral ambiguity in extreme circumstances. But in the three seasons I watched, the show just never could really get that right - and it was frequently really slow, too.

I like how FB keeps making the mobile version shittier and shittier, trying to force users (like myself) who don’t want the app rummaging around in the guts of our phones to switch.

I gave up on this show a long time ago, because after like, three seasons, I didn’t feel like this show gave me any kind of an explanation for why any of the characters would want to survive.

Everything about this idea sounds fucking terrible. Everything.

Remember: being offended and outraged is the new badge of being a “good person” these days. If you aren’t upset on someone’s behalf, you aren’t a good person.

But if there’s a must-see Netflix thing in the semi-distant future that I decide I must see, I might try paying for one month and dipping back out to my already bountiful world of streaming options.

If you don’t think the content on Netflix is worth your 14 dollars and there is something better you can get for 14 dollars, cool. But Personally I think that sounds ludicrous.

I’m with you on remaking Pet Sematary, but, with good directors and writers, a Stephen King cinematic universe makes a hell of a lot more sense than, say, the Universal Monster universe that’s been such an epic clusterfuck. King’s stories are already loosely tied together.

How did Bernie get so far?

If Democrats want to avoid the stink of abusers and untouchable criminals following them to Washington, they’ve got to find a way to get there without their rancid cash.

I’m kind of amazed that it’s taken over 100 years for someone to go back down to this wreck.

I apparently am alone/in-the-minority here, but I felt like the show actually tried to acknowledge the timewarp that they’re in when Sam was talking to the rest of the maesters; he mentions that, at this point, Bran was living north of the Wall for years. That seemed like one of the first acknowledgements that this…

I could easily see him agreeing with the idea that he never takes it off.

Absolutely! Even amongst friends, I’ve been careful not to try to be too negative about it, because I don’t want to rain on anyone’s parade. It’s just been really difficult for me, personally, to get into.

That’s totally fair, too! I’ve been careful not to shit on anyone who’s enjoying it so far, it’s just not really working for me.

That’s fair. I’ve got a short attention span for David Lynch to begin with, and I wasn’t crazy for the original series, so I’m not the target audience. But even my girlfriend, who’s a pretty big Twin Peaks fan, is really struggling with it. On numerous occasions, I’ve found myself saying aloud “Oh, I guess this scene…

Here’s the thing, for me I trust King far more than I trust anyone else involved

I am extremely skeptical whenever anyone starts a conversation or an article on the premise, “No, this thing that people complain about, it’s actually genius!”

I think, under the pretty desperate and unusual circumstances the north currently finds itself under, they’ve sort of abandoned the idea of inherited legitimacy in favor of “whomever can get us through this alive”.