Cole is actively called out on this by Denise. None of this is accidedental.

Lucy's pregnant subplot went on for a very long time in the old show. Showing their baffling child is just pay off for that.

Especially as it was nominated for Screenplay.

Foxcatcher wasn't up for best picture but was up for director. That was even more confusing.

Many of the nominations are rather pointless as a film can be nominated without really even being part of the conversation.

Fury Road was the most awarded film at the Oscars last year and was up for Best Director. I'd say it had a shot of making the cut down to five.

A crazy man who can change his body chemistry to climb walls is much more palatable in the context of a superhero/villain narrative.

I was hoping the "changing body chemistry" would allow for some kind of monster transformation rather than just getting veiny.

I believe it just because a lot of this movie approaches a level of quality that M. Night hasn't hit in over a decade.

I think he is pretty well properly rated in that everyone agrees that he had a decade of awful output. I don't see anyone denying that.

Unbreakable is a film that made an argument for the power and relevance of superhero narratives and the role they play in our culture. It took these ideas seriously but came out right at or right before Hollywood began taking on these ideas in earnest and many years before it started doing most of them at all well. …

Sony movies these days have a certain stank about them. The trailers for this call to mind Pixels more than anything.

Rather judging by the casting and the trailers the hype was good rather than bad and they were let down by the movies themselves.

An AWOL storm trooper is actually a great idea actually. The very few new events film offered were actually all great which only left me more let down by the rehashes aspects.

There was no need for another death star. I was really enjoying the new characters and everything up to that point but when the film has to stop and literally show that it's a death star but really rally big and Han Solos joking suggestion is that they just blow it up like last time is the actual solution , it was…

I wouldn't say that Resevoir Dogs is a worse film than Death Proof and I even admire a lot of Death Proof.

At the New Beverly, you pay once and see the whole thing.

I'm glad that it seems that he stepping away from revenge films.

Is it any different than following Resevoir Dogs with Pulp Fiction which both expands upon his style but also has characters with direct connections to the earlier film?

His first 2 movies were very similar in terms of genre and style and even his third film covered some similar ground .