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    akabrownbear
    AKA
    akabrownbear

    Totally agree. And the other thing I’d add is their shows are in the spotlight for less time. HBO shows like House of the Dragon and The Last of Us got weekly coverage in the media - reviews, interviews, and speculation of what may happen next. People talked about those shows every week on social media and with

    Glen Powell isn’t 55...he’s 35.

    I like Pascal but unless they do something drastically different with the character, he seems like a really odd choice.

    I post it every time a “what’s wrong with MCU” article comes up - they got away from a winning formula. They had a good thing going when they had actual phases that culminated in a team-up movie that paid off at least some of the hanging threads. There has been little to no big payoffs in their latest phases and so

    I don’t know - Ragnarok didn’t have those screaming goats.

    IMO the two plot is underdeveloped and the movie leaned too much into goofiness. And there are god awful, bleeting goats that show up way too often - it’s incredible to me that Taiki didn’t realize how annoying those god damn things were.

    Wow Braid remaster is finally coming out? Have been waiting for that for a long time now.

    For some reason, I thought this show was about a murder in a post-apocalyptic world. 

    What makes the game hard if it there is no difficult gameplay? Or do you just mean hard sci-fi as a genre?

    Meanwhile, the union also extracted some “guardrails” on the use of AI, although, somewhat critically, it still allows studios to create digital copies of people with their express permission.

    Why do those make more sense as comps than the other Nintendo movie that just came out or the two major animated projects by the studio Nintendo is working with? Disney overspending on Pixar content doesn’t mean every animated movie costs as much as live-action does. And that is my main takeaway from those budgets -

    What odd logic. You could say most people don’t work in XYZ industry and name any industry and it would be true. Because there is no one industry that a vast majority of people work in.

    I really enjoyed this show’s first season. I hope it doesn’t get the axe after this current season but my hopes aren’t high given WB Discovery’s direction after the merger.

    Spider-Man: Across the Spider-Verse cost $100m (Into the Spider-Verse cost $90m). The Mario movie cost $100m as well.

    Did people not like Sandman? It was a bit uneven but it had some very good episodes and a really good cast.

    Personally don’t get why anyone who likes pickles would want this. One of the best parts of pickles are the texture, especially when it provides a contrast to other ingredients on something like a burger.

    IMO it’s a bad move to make this live-action. Nintendo just saw an animated movie with Mario make over $1.3B and Sony has had a lot of success with their Spiderverse movies. Zelda is a very popular franchise and the first movie adaptation will sell itself as well as Mario did as long as it’s a decent to good film. So

    This feels like it should be a legal issue similar to the Crispin Glover case. It shouldn’t be a point of negotiation on whether or not Hollywood studios can use the likeness of a real person forever, even if they cajole actors looking for any break to sign that sort of agreement. It isn’t in the best interest of

    I don’t really see an issue with drivers choosing the more lucarative delivery options for them. But these services are kind of out of control in terms of the fees they tack on. Don’t use Doordash but Uber Eats has a delivery fee, a service fee (which they hide in a section called taxes and other fees), and they take

    People take that risk because fast food restaurants like McDonald’s don’t pay liveable wages.