Because cop killa-in' is rational.

My big problem with all of it is that she's an enabler, and yet just floats through all of it. It's sad that she had a sexually repressive and abusive relationship at home, but that doesn't mean that her all of sudden becoming this clear manipulator makes her some kind of feminist champion. It's more sad than…

"The ghost of Nick Winters haunts the proceedings of A Very Murray Christmas more than a little."

This works best as a sequel to Scrooged, Rushmore, and Lost in Translation.

I find it odd to be referring to Lucy's obvious gold-digging and manipulation as "feminist empowerment."

MAD MAX: FURY ROAD OR GO FUCK YOURSELF!

You have an incredibly loose grasp on what "prestige" means.

"Mediocre Showtime program makes baffling decision" is a frequent headline for the channel, isn't it?

Who neglected the triumphant return to Rambo entitled RAMBO!

This is still a really shitty review.

BRAAAAP

But that's not the full backstory. Coogler came to Rocky while he was still finishing film school, pitched Creed, and Stallone was rightly lukewarm to it from an unknown kid. Coogler makes Fruitvale Station, unanimously wins Sundance, and Stallone decides that it's a smart business move now to give him Creed.

SPOILER OMG SPOILER

There's a throwaway lines that resolves him.

They met in The Wire Season 0 The Early Years.

Wallace's ghost haunts Avon throughout The Wire Season 2.5 The Missing Years.

I loved this flick. We rarely see a film that makes a transition as well as this does. A hip-hop influenced Rocky for a diverse crowd. The cinematography is brilliant (the first major fight sequence stands out), the score and soundtrack are fun, and MBJ and Stallone have terrific chemistry together. Stallone kills it…

Where ARE the donations exactly doing?

A-, A-, A-, B+, C. All of sudden you just stopped enjoying what you're seeing? The fuck?

This flick feels like his effort to remake and retool his earlier work 71 Fragments of a Chronology of Chance, which captures true human moments of loneliness and desperation just to throw it all away with an unnecessary shock ending. It definitely felt like he worked most of that out with his first iteration of Funny…