Stuck in an annual cycle of being outraged that Devo was skipped over yet again, and then remembering that the Hall of Fame is nothing more than a towering monument to Boomer irrelevance.

RNR Hall of Fame has a really good exhibits regarding the origins of Rock ‘n Roll and Country is one of many (Gospel, Soul, R&B, etc..). I just don’t understand why it took so long for Dolly to get inducted.

Tom Cruise will die in space. That’s for sure. But will he die a hero?

I think that’s the bigger issue - between the movies and TV shows it’s accelerated to the point where it’s a blur.

It was one thing when the big team up events were 3 years apart.

i paid money to see spawn opening weekend! and i liked it!

i’m not rooting for any downfall, but in the past year and a half they’ve put out almost as much stuff as the first decade...i just can’t believe that’s sustainable in any way.

The MCU has reached the point where the releases dates matter more than the content.

This is a film that was supposed to come out almost two years ago, before Spider-Man and Loki .

Marvel’s/Disney’s fervent desire to the contrary, a movie should be self-contained and capable of telling its own story. If it’s a sequel, sure you can expect your viewers to have seen the previous entry or entries, but expecting them to also watch through a bunch of (paywalled) limited TV series is a bridge too far…

I’ve never seen the point of these takes. “Why didn’t they get someone who was more predisposed to like the movie I want to like to review the movie so I can feel justified in liking it?”

Talk about exposition though: No Way Home did stop approxinately every 10 minutes to have a Spiderman say, “i did THIS thing in MY movie”.

I thought No Way Home was kind of bad outside of the fan service. plot-wise.

Todd Gilchrist? More like Toc-c- Gilchrist! Aw, it’s just not the same.

it FEELS like homework, though. what is the mcu even about anymore? like what are we, as an audience, building towards?

I’ve always thought the Fast franchise movies were dumb (and somehow, without really intending to, I’ve seen all of them), but the Lin movies were at least dumb and fun. The first Transporter movie was arguably in the same class, but that guy’s other credits are deeply uninspiring. Considering F9 was the dumbest of…

Eh, it’s got a few odd Adult Swim-y bits, one particular fight scene that’s definitely raunchier than the rest of the movie, and a shot of someone vomiting along with some mild violence here and there, but plenty of mainstream comedies luxuriate in more grossness than this has. I’d argue it’s much more weird than gross…

Yeah I remember intentionally skipping it because of Cody. But then I saw Young Adult, which was amazing—perhaps only because I watched it at the exact right time in my life, experiencing similar things to Theron’s character--so maybe I need to give it another shot.

someone comparing their boss to hitler in a printed interview is a reasonable reason to be fired but heres the quote:

“God, I really wish I could go loose on this one. He’s like Napoleon and he wants to create this insane, infamous mad man reputation. He wants to be like Hitler on his sets, and he is. So he’s a…

I have gotten into so many online arguments about that ending. I love that ending, but I see a lot of people reading it as hopeful/positive/feminist in a way that betrays everything leading up to it. With a modern eye/sensibility, and assuming that it is purely metaphor and not literal, it IS…