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Prosthetics are pretty damn good these days. It won't be easy, but I wouldn't say it's impossible.

Hands down, the best performance in the best role of what has been a pretty damn solid career.

Weirdly, Ooglaf's "Fun God" is one of the most existentially terrifying things I've ever seen in webcomics.

I don't want film to die, either, but after years of hearing arguments pro and con and a lot of personal rumination, I think I've come to peace with the idea of film as a shooting medium more or less vanishing from the landscape. What I cannot get over, however, is the idea that movies shot on film will no longer

"LEGO treasure hunters will take keen interest that, according to the BBC report, the following items were lost:

I was like a proto-internet-rage-nerd as a kid when I discovered that comics Thor wasn't a sooty, raging, flamebearded jerk being carted around by goats. And why is Loki his brother and not his uncle? And why isn't he married to Sif, and why doesn't she have golden hair? And on, and on…but much like Christianity

…sorry, but I would totally watch that.

Although I can imagine a genuinely interesting version of Captain Marvel that has a poor yet dauntless African American child being given the ability to turn into a magical Wonderbread superhero - but it would be terrifyingly ambitious and an incredibly difficult line to walk.

That is precisely my point - inclusivity shouldn't be about handing out statistically correlative slices of the pie, it should be about broadening the cultural spectrum of an entire medium. And remember, it's not just who's on the page, it's also who's behind it, and the feedback loop between hiring preferences and

Then they would not be the Fantastic Four. It's as simple as that.

Forget pouches, grimaces, and house-sized guns - turning dainty, aristocratic Betsy Braddock into a butt-baring "hot" Japanese ninja warrior may be the most awfully Nineties thing that has ever happened.

RIP the Reyes family, the most awesome supporting cast family maybe in the whole history of superheroes. And they most certainly hit over .200.

A million times yes, and I think the public is ready.

I appreciate your breakdown for the sake of accuracy - and for whatever its faults, I don't think underrepresentation is a terribly fair one to levy at AoS - but let's not let the discussion slip into national demographic percentages as any sort of model, especially of a single work, when the topic is the comics

The time is so, so right for a Damage Control workplace comedy, whether film or television.

As someone who's always loved the FF family concept, I admit I was a little weirded out at first, but I figured, as long as they were raised together and they have that sibling relationship that is so inherent to the FF dynamic (and that Johnny retains the big-and-little-brother relationships with Ben and Reed as

I wouldn't even mind it being an anthology comedy like Amazon Women on the Moon - though I wouldn't mind something like the Snow Queen as an animated short.

Instead of a "rewind", Jeffy just turns to the camera and says it was Not Me who cut his parents to ribbons.

It was Almanac of Fall. It had that combination of stageyness and voyeurism that film can be so good at, as if Ibsen and Polanski wrote and then filmed a play. Particularly, there was a certain assuredness of pacing and economy that I found assuring, making me think that a seven-hour film just might be relatively

Ah, so much like The Nearness of You, one of the small handful of Astro City stories I've read, yet one of my favorite single issues ever.