X-SOLDIER
X-SOLDIER
X-SOLDIER

Have you been following the way that the story’s been presented, or are you just knee-jerk responding to the word “retcon”? Because the X-Men have been constantly surrounded by time travel and other things that make retroactive continuity-based shenanigans the standard throughout most of their time in comics...

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“...and then, on July 28th, 2019, that all changed” 

Were there any reports of people being made to watch them? From what the interview & article indicated it seemed more part of just being in an environment of lots of people gathering research when a large number of members of that team are attempting to replicate those sorts of things, and ending up just sort of end

It does take place after the Tournament of Power. However, Chris Sabat also mentioned that the only spoilers Broly contains for anything in Super are things shown in the very first two trailers. They’re VERY small spoilers overall, since no one talks in detail about any of the events of the tournament other than the

It’s always interesting to see how other people interact with the little guy. He really is an awesome little companion in all the ways that you’d hope for from a little robot.

It’s not really a salary though, because it’s pretty much all composed of audience-participated donation via a platform. You could put a cap on total donations to a channel, but then they’ll just move to a platform that won’t. It’s like a street corner performer who happens to be able to broadcast and have an upturned

I feel like the article should mention the reason WHY the additional DLC episodes were cancelled, and the fact that at least 3 times during the stream, they mentioned that they were still going to be delivering the story that they were going to tell with those episodes via another medium.

This is a situation where the article obviously has an advantage to being posted earlier, so that fewer people can potentially be affected by knowing about the issue. That being said, I still don’t see any issue with expecting inclusion of date/time stamping of WHEN they reached out, so that there becomes a

Genuinely curios why this article doesn’t seem to mention anything about the fact that Philip DeFranco and a journalist were invited to the BetterHelp location to look into their process and ask any questions that they want. It seems doing that is a really important part of having an objective view on all of this.

It’s because she was only designed as an add-on fighter.

Her role wasn’t as closely integrated into the other facets of the story that exist on-disc since they’d been under development for almost 3 years when they saw the fan demand around her, and decided to get her to the front of the DLC list. She’s in the beta

It is a really interesting question, legally speaking. If something’s generally expected to be understood – but not legally specified, it’s often open to legal repercussions as a result. A clear example would be: Fresh coffee is obviously hot – but if not labeled that it’s hot, it’s clear which side is legally

By definition, “news” is noteworthy information that covers recent & important events. Something that’s currently being discussed by a large demographic of the population – even if it’s something that’s happened before – still qualifies as news. Legal loopholes like this are important to cover periodically, especially

I also have to say that for the dub, Chris Sabat as All Might is absolutely the most perfect casting choice ever.

I very much hope that someone manages to get footage of this amazing feat for the Internets viewing pleasure. That’s the important and difficult detail that pushes his cosplay to pure perfection.

And character design for Alita:

He was also in charge of the design for Venom:

I think that analogy more closely gets to the fact that the dance as performed by the original artist was only used as a reference, and the work that was done to create the emote (or someone else dancing in a video they made) is using their own talent to animate or otherwise replicate said dance moves.

Wouldn’t a better analogy be to say that if you performed any of those dance moves yourself on YouTube without any music, and that was a monetized YouTube video, that the person who first did that dance should also be getting paid for it?

What I *am* saying is that we should not be defined by our troubles. That the romanticization and fetishization of our struggle and, frankly, our death, has grown predictable and cliche. Something which is also anathema to good story telling.