Bro...
Sometimes things don’t have to be special. Sometimes, they can just be fun.
Also, despite whole Tracksuit Mafia is one big Slavic gangster stereotype (dumb and inept as they are) I found I love Piotr Adamczyk’s character. He plays Tomas - the gangster who was complaining about how hard it is to find abandoned warehouses nowadays last episode and asked for the relationship advice in this…
They’re really working overtime to convince viewers that Kingpin is definitely not in this show.
I can’t see them killing Clint. The whole point of Black Widow was giving backstory to Nat so you could see why she wanted to go over that cliff instead of letting Clint do it.
Sometimes things don’t have to be special. Sometimes, they can just be fun.
Are they credible and supported? I’m not convinced that’s really true.
Remember, Hamada’s involvement in all of this amounts to nothing more than reminding Ray Fisher that actors are not entitled to script re-writes and that those decisions are ultimately up to the director of the project.
Seriously though, is there a demand in any way for Ray Fisher to be in more stuff?
i feel like the electrocution in the water was really dumb, and seemed like a hasty rewrite. perhaps she originally snaps her neck?
For me the question is, is the movie Wonder Woman bullet proof? Because, the way they showed in ww84, she was surprised to see herself get wounded by the bullet which signifies that she had lost power. But that meant that she expected too be built proof. But if that’s so, why did she need a shield in the first movie?…
One of my biggest peeves is a superhero donning a new armor only for it to be trashed immediately because they need to get back into the signature costume by the end.
That armour was pointless. It strikes me as something that someone found in a picture from the comics and they tried to build a plot point around it so they could have a nice visual in the film. But it just didn’t work.
> Which is why I’m not quite understanding this criticism of Soul as a “black movie for white people.”
I think the problem is that Soul is a kids movie for middle aged people. The people serving the hot takes are at least ten years too young to appreciate the message.
i wonder just how comfortable people would be whit the entire scene if 22 was framed as having a stereotypical sassy black girl personality ...
I have to agree with this take. Joe needed to experience his life from a secondary viewpoint and realise where his priorities lay and see what he wanted from life.
That was how I felt about the movie, too. The movie reminded me of that scene from The Wire when Lester asks Jimmy what he’s doing to do when the case is over. Jimmy says he’ll find another case, and Lester says he needs to find something else outside of the job. “A life. It’s what you do when you’re waiting for the…
“What was 22's spark anyway? For me, I was also discouraged by the way it seemed like they were setting up 22 as having a passion for teaching and being a teacher...”