Anything that amuses him, which could range from raping them, to making them commit crimes for him, to making them kill their own loved ones.

Some villains want money, power, and women.

Even better is when you sell ancient, priceless relics of a forgotten civilization at a steep discount to make room in your inventory. Although that's probably more accurate than we like to think.

this is one of the major things i find funny in rpgs. . we found sealed vault from a lost and entirely distinct ancient civilization with an entirely different technology level to us. its full of modern coins and weapons at exactly the technology level we are currently living at.

not even a catch. people need money to do things. if a game is free, yet requires people making and updating it, they need paid. nothing is free, and its not a huge umber of people who can work long on a project just as a passion project, they need to eat, and live somewhere, and they may have spouses and kids. …

QUOTE | "The squeezed mid-tier now has a choice: become great and get bought, or slim down to become nimble like an indie and survive. Just being good is no longer good enough." - Tim Merel of analyst firm Digi-Capital, talking about the difficulties ahead for game companies.

QUOTE | "There have been a lot of crappy games with crappy free-to-play pricing models." - Robot Entertainment CEO Patrick Hudson, talking about why there's a "free-to-play stigma" among developers.

Thing is I understand Moleyneux. He's someone who's excited about the games he's making, about big concepts and sometimes, actually a lot of times, he gets caught up in it and over promises. Sometimes it's good to have that kind of enthusiasm for your creations. It's great that he's repentant now but this is a man…

QUOTE | "The squeezed mid-tier now has a choice: become great and get bought, or slim down to become nimble like an indie and survive. Just being good is no longer good enough." - Tim Merel of analyst firm Digi-Capital, talking about the difficulties ahead for game companies.

Jesus. When it's Molyneux telling you that you might be over-promising, you know it's really time to pump them brakes.

Is the crux of all J-Horror "What if everyone had stupid faces?"

Gotta hand it to them they perfectly captured those autism dollars with their deviantart/newgrounds quality bejeweled clone.

As somebody that works in the video game industry, I knew a fellow software engineer who was EXACTLY like Taro. It took five years before my department canned him and told him the problem was that not only was he incompetent but his presence only caused more work for everybody else.

If yo'uve ever been to one of these establishments, a lot of them are kind of like hourly hotels. You have a fair amount of privacy in your little cubicle, where you have a game console, a computer, comic books that you can rent out, and often some junk food like cup-ramens, sodas, chips, etc. you can purchase.

Basical…

I don't really find the need to respond to comments like this, but I'm gonna be the one who does because every person after you needs to hear this.

Totally got this vibe from all this.

The best example of this I've seen is in Double Dragon Neon...(obvious spoilers ahead) where the end credits song comes on. The second Skullmageddon sings "here's a medal for your victory" the Trophy pops. It's perfectly timed and the only thing I don't like about it is it only happens the FIRST time you beat the game.

"I just. I... Can't still wear this costume. I'm not 7 anymore. In fact, the idea that I wore this when I was 7 says a whole lot about Batman."

I thought it would be excellent if the protagonist was mistaken as and suspected to be Jack the Ripper by being in the wrong place at the wrong time. It would really fit in with the notoriety mechanic from AC2/B.

Sherlock Holmes was set in late, almost post Victorian England. And whether you liked the RDJ movies or not they really were more tonally consistent with the books than the quiet fuddy Sherlock everyone thinks of as the "classic".