You mean a Feminist website is full of “we shall overcome, just...over there?” Perish the thought.
You mean a Feminist website is full of “we shall overcome, just...over there?” Perish the thought.
Bright spot: Henry Z
Wait, wasn’t that why Last Man Standing got cancelled?
As someone who’s been repeatedly “warned” whenever I’ve borrowed from the World Cinema section of the library, I can attest that this is a problem with the Anglosphere, not just with Americans.
I agree with this 1000%, and yet a lot of Americans (so I’m told) won’t watch anything with subtitles. I don’t get it, but I believe it’s true. If the original is a truly great film, they’re just setting themselves up to come up short by comparison. Oldboy is my go-to example of this.
I’m kind of annoyed that Hollywood (or maybe it’s the general English speaking cinema fans) feels the need to adapt/redo a foreign language film.
It’s what plants crave
Bailey was, and still is, the hottest.
Really better fictionalized. You’re never going to win the Buckeye News Award without noting the cultural influence of the the turkey drop, Erik.
As god as his witness, he thought turkeys could fly.
Hey that’s where the hotdog stand of eternal glory is
granted I skimmed the video, but it’s just astonishing how, in a city of 2.5 million people, there is virtually no car or boat traffic at all. could you imagine flying over chicago and seeing the streets and water this barren?
Stranger Things the Flamethrower!(the kids love this one)
‘2' ?!?
I was so afraid of this sequel even existing but I was wrong. It was wonderful in all it’s dark, neon-lit glory and I loved every moment of it and the visuals were really big part. The use of light and darkness. The patterns (corridors, light beams and symmetry) and reflections (in eyes, windows and rain soaked…
Thanks for the thoughtful piece. I just saw this last night and I’ve been trying to process my feelings (as they really are more feelings than thoughts), about the visual compositions of the movie.
I love Blade Runner, it’s in my top 3, and I LOVED 2049. Denis Villeneuve and company absolutely nailed this one, and I am eternally grateful to him for not sullying the Blade Runner legacy.
They are called suppressors - the name might seem trivial but it is far from it.