My favorite Kate McKinnon bit from last night:
My favorite Kate McKinnon bit from last night:
This is the definition of arrogant white mediocrity.
I am so confused by this song. Probably because it’s been a long week and I fried my brain days ago but I can’t stop overthinking it...
What god did we offend?
Sad but not too surprising after reading about her lousy first husband
“He’s a natural. He is almost God’s perfect person,” says Flii Stylz, Brown’s longtime choreographer, who previously worked with Usher. “No matter how he fucks up and no matter what he does, another replacement for him is not on the way in the next decade.”
He’s actually a very sweet, sensitive guy. But they’re an easy target, and he’s a bully. It’s not just women — it’s everyone, and he can get away with it.
“You are a girl, you have to compete with the girls!”
“How dare you compete with the girls!”
I’m sure she’s just stringing him along to rub it in Angelina’s greasy, sallow face. That’s what I did with my ex: prove you’re the one they prefer at their core. And then leave both of them miserable.
I have never understood the cultural fascination with three of the most boring actors you will ever watch.
Yes, the whole soundtrack is amazing and the head over heels sequence is perfect. And the scene from your GIF...
I can’t find it, but there is a Parks & Rec DVD bonus clip where Perd Hapley is reviewing movies and says, “It felt like a biography of my life. Blue Velvet gets 5 stars.” That’s pretty much how I feel about Donnie Darko.
Don’t.
It’s a movie that the more you think about, the more there is to think about. The first time I saw it I was all “meh, big deal, time-travel loop. Seen it a million times.” Then a friend made me go see it again and began explaining all the stuff there is to chew on.
YASS. I go as Donnie Darko every Halloween (it’s easy & last minute). I was in love with it as soon as that tracking shot set to “Head over Heels” started.
The original Donnie Darko site is here, and it does a pretty great job of capturing the feel of the movie.
A lot of tropes that we associate with villainy are actually based on traits of marginalized people. In the case of Scar and Jafar, they’re queer-coded. They’re sibilant, emotive, and occasionally effeminate, which is often associated with portrayals of gay men.
Right? WTF? Is Nicki the only female rapper he has actually listened to?
And I’ll probably watch this one too. And regret it.