The academy should invite him next year and make him sit alone at the kid’s table in the back of the room. 

Charon is about 1/2 the diameter (1/8 the mass) of Pluto, large enough that the barycentric point that they orbit about is above the surface of Pluto (i.e. they both rotate around a point in space).

He’s talking about this, obviously:

Got to love those song writing royalties!

I think they probably sell more CX5s than the rest of their lineup combined. I don’t think they are going anywhere.

The first full shot we have of him in the suit in the final episode, where he throws the shield through a window while flying, and the helicopter sequences in that same episode are proof of how cool both the shield and the wings can be. 

In the finale, he lifts a 10 ton armored truck, using his arms. While the suit thrusters generated the force necessary, normal human arms would have just collapsed under the strain.

I really liked hot they used the wings and pack thruster in the fight scenes. 

The Skateboarder stands again, his body aches with the pain of a thousand falls. His body says “stop” but he says “NO”! He begins to roll on his wheeled board. She is a harsh mistress who brokers no compromise. She does not allow mistakes and she punishes them with pain.  But she is but one of the many bitches that…

More like willfully criminally negligent.

The inviolate freedom to not wear a mask.

Thanks for posting that clip. She still looks great and is as vibrant a personality as ever. Glad they brought her on for a bit. 

Yep.  And I’m going to pull back some on my point.  No banjoist does hammer-ons/pull-offs with BOTH hands to get that cool EVH sound.  So in that sense I was dead wrong.

...so basically, ripping off banjo players... Half-kidding because all props go to EVH who was exceptionally talented and creative. But innovative? Well, that technique was really just new to rock guitar, no? I mean, cellists probably do that too. It’s an essential technique to playing bluegrass and clawhammer banjo. …

Damn it, I don’t have time to watch “Please Wake Up Mothra” now, but I won’t be able to stop thinking about it until I do.  

We could probably do 17 music scenes just from non-musical submarine movies:

Props for including The Enemy Below. Here’s the homage to it from The Hunt For Red October (which I damn well sure would have included on this list):

take your effing star