That’s pretty impressive with a 9mm pistol and a moving target at 75 feet.
That’s pretty impressive with a 9mm pistol and a moving target at 75 feet.
I have MDD.
I’m probably showing my age here, but it seems like a massive oversight to have an article about Tarsem that doesn’t mention “Losing My Religion.”
Slow news day?
Exactly. Fuck Texas, in its contemporary incarnation.
Ask James Somerton how this kind of thing turns out.
She was a try hard theater kid personality long before the Oscars performance.
“Okay, signal left, check your mirror and blind spot, then pull out.”
I think it’s a Fiat Punto?
Oh I see it now. My mistake.
I’ll see your three Oscars for 12 Years a Slave and raise you five for Green Book. The Oscars do love movies about historical tragedies, but they do love them in particular ways.
Oppenheimer was an excellent long movie, that didn’t feel long.
Can’t drive it legally because of defective equipment, but cannot stay there to repair it. Either the driver is arrested for driving or the car is towed and impounded or both. Cops creating a crime where none existed.
The car can’t move. Now instead of just remedying the situation, the cops create a situation where the protestor has to pay to have their vehicles repaired or they have to pay to get their vehicles out of the impound lot.
If the goal is to have the vehicles moved from where they are, what is the purpose of slashing the tires, other than to simply be a dick?
I’m sorry, but with everyone talking about the tattoos, for me it’s the hair. I just can’t stand the mullet. I just think this is all set in a small town in Louisiana. The Backwoods Crow.
Also that Stone Temple Pilots song, “Big Empty”. That’s like their best song. And I’ve never even really liked that band much beyond that song.
That Cure song and Nine Inch Nails’ cover of Joy Division are all-timers. But when a movie has Michael Wincott, David Patrick Kelly, and Tony Todd, the soundtrack can’t be the absolute best thing.
Oh yeah. That’s Florida Joker.