You're kidding, right? Atlas has been releasing top-notch books on a pretty regular schedule. The last one was the Ireland setting book which came out this month, and that's the third this year.

Not OOP, though (if you count pdfs as 'print'). You can get what looks like the entirety of 1e as a pdf bundle for $40.

Y'know having evil witches, when historically innocent women were killed for witchcraft, is one thing - at least they acknowledged the injustice.

Yeah. He played a camp counselor:

In that video she looks like she really is having fun. Patricia's right: she's flat-out adorable.

And what have they done to her face? She's barely recognizable as Jaimie Alexander - just some generic cute girl.

These guys have barely changed in a hundred years. Mark my words: they're the cockroach of technology.

Hey, I'm one in 10,000! :D

According to Vulture:

It's not about the 1% inside America or the American healthcare system. Elysium is the first world as a whole. That's what I meant about the obliviousness. Reviewers failed to think outside the bubble of their domestic politics, so of course it looked overdrawn.

Ditto. IMO a lot of the reviewers were oblivious to the fact that they were the people in Elysium. Ironic, really.

It's definitely him. He's playing Minos, so I assume it's a regular role.

God, this show's attitude towards killing drives me up the frigging wall. It wouldn't be so bad, but they make a point of saying how restrained he is. What exactly is the difference between him and Huntress?! AFAIK there's only one: Ollie gives rich people a chance he doesn't give their flunkies.

I was in India this year and saw families of five on a single motorbike: the dad steering, two kids sitting between him and the handlebars, and the mother sidesaddle behind him, with a baby asleep in her arms.

My feelings exactly; it's one of the reasons I find Whedon irritating, even though I like a lot of his work.

Happy to oblige. I always get annoyed when I see how modern directors think they need to cut really quickly and go in for lots of close-ups in order to make dance interesting. I keep thinking, "You're directing a film about dance. Haven't you seen The Red Shoes?!!"

Part of the point of Beak's character is that he had no useful powers. He was supposed to be a window into mutation as a metaphor for social affliction, and not in the mutants-are-oppressed-but-at-least-they-get-claws-and-a-healing-factor sort of way. That makes him anything other than useless as a character.

The 'forced to dance' concept has been done better in film before: