Eh, I don't know. That sentence and the sentences that immediately follow, I get. The following paragraphs are a bit . . . much.

Nah. I was thinking about how douchebags try to use evolutionary psychology as a way to make being an ignorant, violent, fucktard somehow natural. And they try to explain away rape as a "method of procreation." The article says that people figure it out early, but I'm guessing there was a period of time before cavemen…

Caveman rapists didn't know they were propagating the species. They were just doing it for funzies.

I think Rayna and Scarlett have friends, we just haven't met them yet. Or maybe not—Scarlett's fairly new to Nashville, and Rayna's plot revolves around work and family. She is friends with her coworkers, but . . . none of them are women. Still, I see that as not being totally unrealistic, if one of the show's…

It's them. It's not like Rayna/Connie is a bad singer. It's just that Juliette/Hayden isn't, either.

Yeah, Rayna has come around a little bit on Juliette's merit as a songwriter. But Rayna's position on the actual sound of Juliette's singing voice ("she wouldn't make it as my back-up singer") I'd disagree with. Rayna herself was having her share of problems with her own poetic voice, what with the recent album…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…

I'm crazy about this show, and agree that one of its strengths is how it handles the conflict between Rayna and Juliette. And yet, love it though I do—and worship at the altar of Connie Britton I might if I were the worshipful type—I find the silliest premise to be Rayna's unchallenged assertion that her voice is…