Geez. Thanks for the news, Donna D'Errico.
Geez. Thanks for the news, Donna D'Errico.
And by Stephen you meant Tim.
This sounds like an extremely volatile and tense situation, but I'm oddly happy that it involves a level-headed guy like Miller, who won't let all this craziness prevent him from plugging his dog's twitter account.
He may be a lot of things, but Adrian Peterson is no drug abuser. "A little weed" is just a term of endearment for his children.
I fucking loved it. My jaw was on the floor every second he was on screen.
If Rodan makes an appearance, I'll be contented. If they can pull off Ghidorah, I'll die happy.
The most depressing part of that commercial is how he says "No box, no carry out" with a scary amount of certainty. Like, his worldview has been so warped by a lifetime of folding boxes that he really believes if he stops, Domino's entire business model could collapse. He reminds me a lot of people who work at the…
Watch the replay; he's hit at the waistband, towards the top of the foul protector, and not in the dick. He loses because he's faking, trying to either get his opponent disqualified or taking the easy way out of the fight. the foul protector is a steel cup encases in padding, and while it doesn't feel good getting…
"Both of the attackers, who are brothers".
It is also more satisfying when you pretend that Brett Favre is dead.
that's nuthin'.
It really is. It started as a reaction to what those guys saw as overly commercial, toned-down country out of Nashville. These guys wanted to sing about taking too many pills, snortin too much blow, ho's (to borrow a term lol) and prison. Not goddamn love songs and odes to great america or w/e. For my own personal…
Outlaw country is the goddamn greatest. Don't forget about Merle!
I think Zodiac is overrated, but I haven't seen it in ages. So it's possible I'm not remember it correctly. That said, I remember thinking it wasn't nearly as good as some people said.
Shut your mouth idiot, what a terrible analogy
Dammit it won't let me edit the last comment but I just keep wanting to add things...maybe I just don't know enough about cinematography to know how they handle situations like that but I felt weird seeing Hugo and Life of Pi, very visual effects-dependent films, win cinematography Oscars. I feel like they can…
Im guessing the list is based on contemporary country. Seems to be the m.o. of the "i listen to everything but (insert genre.) Base dislike off of the most obnoxious overplayed radio pablum instead of thinking there might be some true artistry.
Rock first and country last. SO EDGY.
Oh makes sense, then, tbh I only follow you for the genocide stuff, kinda skim over the food pics, could have missed it.
I feel like Lynch legitimately started off as a guy who wanted to make movies that were fairly conventional with maybe just a touch of art-house weirdo aloofness, but once he saw critics say "well, the aloofness was unique and memorable, but the overall story and film were boring," he just rededicated himself to…