the media platforms with that kind of money are, incidentally, not exactly the kinds of institutions interested in a bunch of stolen videogame code.

...you’ve never been to central asia or eastern europe, have you?

just gotta keep in mind the target audience for any show on the CW *is* actually angsty teens and children interested in being teens, not us olds. 

why would you want to make a game for a platform that doesn’t give a shit about it’s customers, though? the reasoning may *feel personal*, but it’s the personal details like this that inform strong business decisions. because he can extrapolate from his own experience that this must not be an isolated problem. because…

i’m sad to see you go. this feels like the end, or near the end for my time as a commenter here as well. i’ve just not been feeling it lately.

i don’t mean to sound like an ass at all, but nintendo really does not care when you bought your switch.

it’s worth some reflection on your part to observe just how pedantic you’re being. a good rule of thumb is to compare the length of your reply to the length of the original comment, then ask yourself if it’s worth it.

it’s worth some reflection on your part to observe just how pedantic you’re being. a good rule of thumb is to compare the length of your reply to the length of the original comment, then ask yourself if it’s worth it.

I listened to the Nier Automata soundtrack for years before finally picking up the game, lol.

this was five years ago

he’s been hit on multiple times throughout the games. he turns women down. so that’s voluntary in my book. not involuntary.

this practice angers me so much. i used to travel all over asia and europe for work, and once or twice made the mistake of buying in regions with specialized prices, like kazakhstan. only to discover that the game wouldn’t even fucking play outside of central asia. 

i get that it’s a joke, but incel mean ‘involuntary celibate’ which... i dunno, i’m guessing 47 could probably have sex if he wanted to? ‘involuntary celibate’ being a totally bullshit concept in any case. 

the elusive targets from part 1 were brought back when part 2 was released. i’m guessing we’ll see a return of all elusive targets for the first year of part 3 as well.

i’d flip the last two. ep 2 is a bit overrated, a bit short, and that cliffhanger fucking sucks.

I recognize that, chronologically, the arrow show jump started the cw’s experiment in superhero storytelling, but I never watched an episode. For me, and I suspect a lot of people, we only started with The Flash.

This seems unnecessarily intense

so you’re telling me a partnership was made between one company and another was some kind of deal? possibly with money involved? OMG.

while that’s certainly the point of reviews, a worst of list is a compilation made often far after the point of theatrical and video release, and is really just a way for writers to score points for readers who are into feeling that way. i’m guessing the readers of this article have seen nearly every one of these…

The Old Guard is fucking TERRIBLE.