BuckCaldwell
BuckCaldwell
BuckCaldwell

Makoto Shinkai and Mamoru Hosada are the only living anime directors whose work gets an automatic pass from me (RIP Satoshi Kon) - they have proven time and again to only do quality work. Regardless of how it holds up to Your Name, I’m sure this film is also amazing and I can’t wait to see it.

I firmly enjoyed Cordon’s Craig on Doctor Who.

I’ve got the weirdest erection right now.

I feel like his face in CitH was at least more cat-like? These faces look like those medieval paintings where you have to wonder if the person painting had ever seen a cat before in their life.

“You took the box! Let’s see what’s in the box!”

Trollhunter is very good and clever. Easily some of the best special effects in the genre. And strangely, it is somewhat scary.

Trollhunter is really good. I take issues with a lot of the ones they chose for the list (if you’re watching Rec, there’s no need to ever watch Quarantine), but Trollhunter absolutely deserves this designation.

Wasn’t “Timeframe” shot this way too? I remember thinking “Wow, now that was an experiment.” The faint praise being it’s a concept that had to be tried once, it worked a some points, but I bet hardly anyone remembers it now. At it’s highpoint though, during the earthquake, it was really gripping.

My first thought was “WTF were they thinking?!”

Hell House,LLC should be on this list.

I want him to stroke out such that he can’t do anything but sit and drool on himself but is otherwise fully conscious.

He probably choked on someone else’s vomit.

“I’d be very excited about celebrating his first (documented) stroke with a parade of tanks in a major city.”

That presumes Mexico counts as a safe third country, which is an assessment that fails even basic scrutiny. If you’re going to pop in and spew misinformation, at least pretend you’ve done the bare minimum to back up your bullshit.

“Reminder that” blah blah blah.

I would like to point out that these people would not be making these difficult and tragic journeys if their homes had not become unbearable. Most people love their homes, and only leave them when circumstances make the place they love and know more terrifying than the unknown.

I hold Chuck Todd mostly responsible for getting Trump in the White |House. He had Trump on Meet The Press almost every Sunday for a year leading up to the primaries, and let him spew anything he wanted, without challenging him, because he thought it was amusing. He saved Trump millions in advertising and gave him a