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oh man, I can see the snowball effect coming. If one studio got the pass to have “different” version from Series X and Series S, I can see other studio asking the same now.

I mean, I don’t think it’s objectively a “bad fit,” I just almost never like roguelikes and I don’t think that what I like about Patapon would work in a roguelike. Just sounds exhausting honestly.

It’s not job replacement with automation that is bad, it’s having a society that requires you to have a job just to meet your basic needs of survival and then taking your job away with automation that is bad. So given that...

The work that went into developing the AI tools is, in itself, an act of artistic creation. They did not spring forth, fully formed, from the brain of some faceless corporate drone.

No horse should take my job as a field plower, no car should take my job as goods transporter. No robot should take my job on the assembly line.”

This is always going to be a super problematic argument because what critics of AI art don’t want to admit is that human artists train themselves on vast amounts of copyrighted work with “no consent, no credit, and no compensation”. There are thousands of artists who have learned to ape other artists styles, and based

That is genuinely refreshing to hear. It has occurred to me, the significance of this tool for people who struggle with physical challenges that would impede them from creating art in the traditional way. I am very happy for you! I really can’t wait to hear what many others who share similar difficulties make of this

As someone with dysgraphia (I cannot write with a pen, or draw/paint for more than 5 minutes at a time without getting crippling pain in my hands), I have struggled my entire life with the desire to draw and create art, and being unable to actually learn it as a skill. The last few months has been a revelation for me,

Machines don’t make art. They’re machines!”

You’re very loud and one-note in your indiscriminate condemnation of AI art. Which in some ways, makes it cathartic to know that AI art is here to stay. It is a bigger technological evolution than going from pen and paper to digital was for art.

I just watched a pro-AI video from Marques Brownlee (yes, he has concerns about crediting, too, but overall his video is AI Positive) so I think the ship has sailed for trying to stop AI art from growing.

That was 20 years ago.  Get over it.

Except they aren’t? Koei Tecmo is making it. EA is publishing it and helping them out. 

I was actually pretty happy with the trailer, the effects looked good, they are clearly doing a GoTG but D&D which isn’t to say it’s a bad thing (a lot of films that boil down to “X but in Y” actually turn out pretty good) the only thing I’m worried about is that the characters didn’t seem super interesting in the

Arguably, we’ve already had the “perfect” D&D movie thanks to Peter Jackson’s adaptations of The Lord Of The Rings in the 2000s—which, if I’m being honest, do chart a bit too close to “action movie” for my taste”

Has there ever been a good live-action version of an anime?

Okay, Stephen Ddungu here. Firstly Jeremy, I didn’t know you were going to make it a race issue, I’m quite disappointed to be honest.

I was thinking it looked more along the lines of a school uniform of some kind. 

Does Kirby even eat meat, or is he finally free to live out his violent, gun-related fantasies in Forgotten Land’s post-apocalyptic environments?

In any case, it’s not as though you can’t have a big-budget hollywood film about white men learning and growing through encounters in Japan, directed by a white man. Because Scorsese made ‘Silence’ and that came out only five years ago. It was critically acclaimed and Oscar-nominated. Admittedly it was a box office