Box Office would suggest yes, and to Disney, BOX OFFICE IS GOD HAIL BOX OFFICE.

Yes, because Disney is well-known for NOT basing its creative decisions entirely on what they think will make the most money from the widest possible market.

Not mentioned by the AV Club: Disney canceled a Lumberjanes movie, fired all of the marketing staff for “Dark Phoenix” and are forcing anyone from Fox who had finished principle photography to re-submit new storyboards for approval before they get any money for reshoots.

That’s because Disney is of the obsessively pandering mindset that all films have to appeal to all people.

Sometimes I wonder what kind of PG-13/R-rated stuff Pixar would be putting out now if THEY hadn’t been acquired by Disney.

I remember Dustin Hoffman getting dogpiled for learning, while making Tootsie, that he was a sexist, and being sexist is wrong. The folks at Jezebel sneered all day long at him being so ashamed of his past behavior that he cried on camera. And I stopped reading Jezebel.

She’s definitely racist.

No, it couldn’t. She made that show when she was at the height of her fame as a cute/dirty comedian, in her 30s. Anyone in her place, with her career at the time, would have done the same thing. Many people did, and still do, even though it’s markedly less amusing nowadays.

Evangelical Christians: use all of it. Then burn it. Maybe THEN Jesus will come back and end the world properly.

I think the genre you’re looking for is magical realism.

According to Chas Addams, Morticia and Wednesday are aloof, Gomez and Pugsley are enthusiastic, and I forget how he characterized Fester, grammama, and Lurch.

They should have given it to Laika. The masters of kid-friendly spookiness.

You assumed wrong!

Space elevators don’t work. Largely because orbital speeds are generally wildly different from a planet’s rotational speed.

Also, internal mass e-mails and communications are from business, not ranting, not trying to rally employees, etc...

They misspelled “the Waltons”

I could see this being the beginning of a John Wick spin-off.

Back in the 90s, Disney put out a LOT of live-action family films.

Editorialists: Superhero media peddles a juvenile fantasy of moral strength and individualism while milking the pockets of its most devoted fans to the benefit of massive corporations that actively make life worse for people across the world.

I like how, in an ensemble movie with over 20 protagonists, you are irate when someone points out one of them was intentionally given shoddy motivations in order to keep the plot moving.