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It occurs to me that Jeff Bezos has enough money to buy up every last acre of the Congo Basin, pay the people currently bulldozing it to reforest it instead, and send their children to college to become biologists with a focus on ecological remediation, and build a number of community-owned hydroponic gardens to

“This photo may contain: 1 person, beard”

It’s still the 4th of July.  The NSO is doing it’s usual concert, and there’s fireworks.  It’s going to be a big crowd, even if most of them don’t give a flying fuck about Trump.

The camps themselves seem pretty easy to get to. People are all over social media, talking about how they’ve visited them. What if we get a few hundred people together with bolt cutters and crowbars, break into the camps, and break everyone out, rather than wait while we try to convince politicians to tell racists and

Kirkman is a partner at Image. The other four are Todd McFarlane, Marc Silvestri, Eric Larsen, and Jim Valentino, all of whom slid out of contracts with Marvel to own their own properties.

In order: no, but it runs too slow to give point-by-point directions as I’m moving, iPhone 4, mostly io9, Earther and hacked website updates, honestly.

Can we find anything like this on McConnell?

We have more Hellraiser movies than we know what to do with.

Honestly a much better idea would be to turn the Books of Blood into an anthology series. A number of the stories (Rawhead Rex, the Body Politic) have already been adapted, and might benefit from a redo, and many of the others would count as some of the most fucked up things on TV.

That’s pretty cool.

But he’s a badass! He totally murders whoever he wants, and he never goes to jail, and besides, all the people he murders are evil anyway. I wish there were a profession where I could run around all day wearing black and shoot whoever I wanted and not only be given the benefit of the doubt every time, but also get 2+

In 10 years, I’d never thought about that.

As a creator myself, I routinely have to hunt down folks on the internet using my art without attribution, but when a corporation owns and profits off the IP rights to something for longer than 90% of the human population has been alive, it starts to feel like they’re stealing from everyone else, especially the

The sequel will feature Miles in line to see the Tom Holland British period piece “Spidah-Bloke: Love a Duck, Not ‘Alf!”

George Lucas lies about a lot of frickin’ stuff.

I don’t think it’s just social media. In the 80s, the regulations against advertising to kids were loosened, and you IMMEDIATELY got stuff like He-Man and Transformers: cartoons that were entirely built to sell toys. My generation grew up on this crap, and frankly, corporations realized that they could just keep

I can’t be sure based on the vagueness, but on “old pulp series” I might assume that the fans and community based around it were used to sparse creative output, and might have been of an older generation that had lives outside of their fandom.