Real cops took over.
Zuzax
zuzax
They seem to be redneck-rich from construction, not old money polo-and-ascots rich.
Everything!
He kind of breezed over all the mods to the car. Any sources for what he’s actually done to it?
If you like Payback, you’d probably like Get the Gringo since it’s pretty much just Porter-goes-to-Mexican-prison.
That picture really surprised me. I have a mental image of the 917 being the size of an early '70s Cadillac Sedan DeVille, just shorter.
Uh-oh. Where's Rob Pardo going to park Jay Wilson now?
No. There is no rationalization for speeding being sought. There is no justification being sought for the driver's actions. It was (and still is) merely a question of what action or actions happened that would have been embarrassing/expensive at 35 mph that became deadly at 100 mph. It is a rejection of the lazy…
Thank you for providing some insight and some reasoned speculation instead of just herp-derping "too fast!!!1!!" and "exceeded speed limits!!!"
Agreed.
Agreed, but this is not a argument of physics. That never changes.
The car achieving 100 mph in and of itself did not open some sort of cosmic maw of death. The media is fixating on 100 mph like it is the point of no return and anyone who crosses it achieves instant death. "100 mph? Ok, it's obvious then - case closed." That's a lazy investigation. Something else happened.
Yes, you make an obvious point that a wreck at over 100 mph is catastrophically worse than one at 30 mph or so, and that speed limits exist for a reason. Thanks?
Are there other details about the crash? 100 mph may or may not be inherently dangerous by itself, meaning that merely achieving 100 mph did not cause the crash.
How many of these will really hit the track and how many will just go directly into some guy's garage/warehouse as part of a rarely-driven Camaro collection.
It's a goddamn PT Cruiser.
I completely agree with you for that usage. It's the ones that are choppy, flickery, and generally aren't aiming to be a video alternative that are a disservice to the stories.