On a show where the writers can so easily bend the story to their will, given that they have a soothsayer, miracle workers, and various demons/magicians, it’s baffling to me that they couldn’t come up with a better impetus for sending Harvey into the mines to stumble onto this very-important-to-the-story prophecy.

Such a strange sequence of events. What purpose does cutting the scene serve?

I read all three and had no idea the Biologist was of Asian descent. The ethnicities and, as the article points out, names of the characters are entirely tangential to the narrative. It’s not a story concerned with that kind of identity.

But not in this particular film, which makes the criticism of it somewhat misguided.

Given the public airing of his behavior, he’s probably the least likely cast or crew member to behave inappropriately on set at this point. The CW has every reason to take this seriously, given the financial liability they open themselves up to if he does do something inappropriate. If they conclude he’s not a…

If anything, I would have liked to see some more humanizing of the villains. Due to the combination of Benoist’s sneeringly evil delivery of every line, and their limited display of resources and manpower, I never found them convincing as the leaders of an evil global fascist dictatorship.

The team didn’t even make a half-hearted attempt to convince Wally to stay. His declaration of “I’m leaving” was essentially met with “Okay bye.” Ice cold.

Yes. Though if it is just a blown-up tardigrade, it doesn’t even have the mental capacity of an insect. It may be large, but it wouldn’t feel pain or have thoughts in any way humans should empathize with. I would think Michael’s reaction should be more rational given her background.

I’d like to see more like this in the show. The show is wonderfully edited, but getting 5+ segments into a 30 minute show makes it feel a little too frenetic. There’s no room for any one segment to breathe.