I think that's basically everyone over 40.

That's a really interesting thought, though I seriously doubt it was an intentional ambiguity.

"Can you imagine this man’s taxes? It’s insane! He must work for the carnival." - Betty Draper

Have you listened to Alex G? I was turned on to his music at the same time as Carseat Headrest last year and it really fits together. At least in my mind. They both have big Band Camp back catalogs and I can't decide which is the better buried treasure.

His phrasing is the thing that consistently makes his late live shows transcendent to me. Vocally, with harmonica, and when he was still taking guitar solos. He plays with tension and energy so gracefully it's stunning.

New Morning and the debut are my favorite voices, but you've convinced me of the need to drop all other music and take another stroll through the entire discography.

His debut album shows what a vocal powerhouse he was. Absolutely the best white singer in the folk revival. Honestly I wish he'd done more of that, but it at least shows that his later idiosyncratic styles were deliberate choices made by a person who could do just about anything.

Tempest is my favorite of the late period stuff. To me it's more snappy lyrically and melodically from front to back, where the other ones have sections that kind of drag and you have to make yourself listen to appreciate how great they are. Tempest sounds like it could be an album he wrote at the same time as John…

Yes if someone had to purchase just one Dylan thing I'd definitely recommend that. Bit of a cheat at 3 discs, and it has the obvious advantage of spanning 25 years, but also some of the songs/versions are better than the official recordings of the same time. That Tangled Up in Blue is killer.

Augh!

"cartoons are one of the worst offenders in terms of improbable body shapes" This is Clickhole.

Yeah Steve, that's right. Were Dennis or Nick there? They were the older managers who were keeping some measure of sanity when I was there. I really liked them and they were the only part I really missed when I quit.

Yeah I was there when he opened the 2nd street store and briefly managed it. I really enjoyed that. Got to pull off the Hi Fidelity trick of putting on a CD and immediately having a customer demand I take it out so she could purchase it - soundtrack to The Last Temptation. The job had its perks. I snagged some radio…

♫I know, I just a damn song,
But I critique it.♫

Yeah that's the place. What a weird place it was. Kept all the discs in the basement so shoplifters could only take empty jewel cases, so ever sale someone had to go downstairs and get the CD. Paid shit and was open to like 2 am. "Rented" porn DVDs. When I saw one on the shelf featuring pregnant women I decided it was…

What CD store? I worked at a used CD store on South Street in 2004 and the owner was a lunatic. Big cocaine fan.

At first listen I think it could be my favorite since OK Computer. But we'll see how it holds up, and I don't go back to the earlier stuff often so maybe I'm underestimating it due to having overdosed on it in the '00s.

You know I was just thinking, Let's Stay Together is for me the antidote to Let's Get It On.

I think you mean " whatever other euphemism we're I'm riding into the ground these days." But anyway, his repetitive insistence that what he's proposing isn't wrong and she shouldn't worry about it is a bit weird on it's face without any context. If a person finds himself compelled to tell anyone he really badly wants…

Telling someone (in song or otherwise) "I’ve been really trying, baby, trying to hold back this feeling for so long and if you feel like I feel baby Come on, oh come on, ooh Let’s get it on, ow baby," is weird. There is not a non-weird way to say those words to someone. Saying this to a 17 year old, "There’s nothing…