Today, we celebrate… our Guy Fawkes Day.

The United Kingdom Independence Party. They want out of the European Union and really, really hate immigrants and will spend far more time talking about the latter.

You're assuming it's real even though everybody knows Adele can't rap steel beams.

Nah she can only do "What's the Frequency, Kennef."

Seriously. I'm terrified she's going to turn out to support UKIP or something.

She needed to go even uglier
[JJL smiles smugly]

Especially amid the Quest to Cast Domnhall Gleeson in Everything.

I'm chuckling ruefully at how they managed to distribute all of Creed and Straight Outta Compton's nominations to white people.
That said it's nice to see Rachel McAdams recognized, since she's got exactly the kind of subtle performance in a showier ensemble cast that tends to get overlooked.

That's not how I remember Pinocchio but it's been a while.

I don't think it's a coincidence that Teller's best performance was as a latent sociopath in a contest of wills with another.

Original trilogy Han Solo is ridiculously goofy.

My boss is a young set carpenter.

Baffled by how completely outside the awards conversation he's been.

Fun fact, they came up with this list by rounding up everyone who was kicked out of Spider-Man auditions for being too generic.

In his defense, he's pretty clearly the type of person who calls people f—-ts even when he doesn't have a convoluted point to make.

Gangs of New York really isn't particularly anti-Confederacy, it's more of an anti-Vietnam/Iraq movie that happens to be set during the Civil War.

Kilgrave works so well as a villain precisely because, again, the series format allows them to tease him out. Compare that to, say, Lee Pace in Guardians of the Galaxy, probably the MCU's nadir in terms of uninteresting villains, who just shows up to kill a guy with a hammer and then try to blow up a planet with his…

Owlsley in general just really got to a point where it wouldn't be plausible for him to be that antagonistic toward an increasingly unhinged person and stick around.

What really sold me on the Netflix format was the realization that a movie would never have had time for something like Zurer and Fisk's relationship.

HELP. YOUR. FOOKIN'. SELF!