No mention of the absolutely perfect theme song? I won’t get into rankings but this is one of the few Bond themes that pulls of the trifecta of foreshadowing the plot, being a great song in it's own right, and instantly recognizable as coming from a Bond film.

The right way is to have Thomas and Martha Wayne out of focus in the background of every shot in the movie, being gunned down.

So far he’s copyrighted “pandemic, coronavirus, and clusterfuck.”

Not usually a fan of toilet humor, but the original video of this hippo farting is seriously a sight to behold:

For real. I’m a high school English teacher - show me Indy in the classroom, dammit!! 

The more I dwell on it, TLC is much in the same camp for me as, fittingly, Return of the Jedi - there’s definitely some issues I have with the movie overall (Marcus’s turn into comic relief clashes with the ‘adventurer who aged out’ we were presented in Raiders, Elsa is a kind of redundant character whose only real…

OF COURSE Eli Roth finds this second rate, early ‘00s edge awesome.

A penitent man kneels before God, but a sensible custodian engages the safety locks before doing cleaning and maintenance.

This - there is an interesting movie in there - an older, anachronistic Indy coming to grips with the Atomic Age - but then they go to the jungle with Shia. 

This just in, Where Potpourri Comes From just went to #1 on the Billboard charts.

A good step. Growing up I was lucky enough to have a tv in my bedroom (b. ‘74, for context), and I remember the local channel (the vaunted fourth channel) would show a movie from 7 to 9 every night. The variety was staggering: “Citizen Kane,” “Fast Times at Ridgemont High,” “Bad Boys (Sean Penn),” “Johnny…

Awesome.Even though it’s theatrical, this one from General Cinema was always my favorite.

See also the Russo Brothers making their start in Community and how far they’ve come in that time!

I also saw a passenger in the truck...

Oh yeah, I was a crying mess. I saw it at TIFF and Ang Lee was there and after the screening he was quite emotional and said how doing this film had made him fall in love with making films again. 

Watch me enGAGing em, esCAPing em, enRAGing em, I // go to France for more FUNDS // and come back with more...

Same. One of the most genuinely heartbreaking endings I can think of. I have a real weakness for stories of deeply repressed characters who finally manage to let go; that Ledger’s character only does so after it’s too late to do anything useful with his emotions is just hard to take.

Help me find my keys and we'll drive outta here.

Now? Like, right now?