Jackson never does bad work. But 1) Tarantino's self-indulgence has made his work increasingly inaccessible to audiences with diminishing box office returns, so I'm inclined to overlook those, and 2) They still don't make up for Tarzan, Miss Peregrine's, The Spirit, The Samaritan, Reasonable Doubt, Chi-Raq… (and yes,…

Oh, great. I already have the Record Store Day re-release from a couple years ago. Now I gotta buy this fucker again?

I think we're back in the Keaton>Jackson times, given that the only notable shit Sam does anymore is the Marvel movies.

Holy shit, that's fucking embarrassing.

Welcome to your own personal Hashtag-GamerGate, bud.

[homer shouting "neeerrrrd!" gif]

… but who love some good cheesy biscuits.

Thank you for your service.

Yes. My point is that its ability to get away with that charade is hindered by the overt petty vindictiveness at its core.

If there's one fatal weakness to Scientology, it's that they could look a lot less ugly if they just stopped picking at every little scab.

I hear it features an expanded 15-minute version of the airport car rental sequence, set to that hip-hop/dialogue sample track from the soundtrack. You'll never get the sound of Steve Martin screaming "You're messing with the wrong guy!" out of your head.

Hey @avclub-9df945a125e0d33c2ed3b4cad6d72002:disqus , a particularly curious case to look into is Patrick Read Johnson's 5-25-77. Johnson's a low-budget filmmaker best known for Spaced Invaders, Baby's Day Out and the screenplay for Dragonheart. In the mid-00s, he wrote and directed an autobiographical film about his…

They actively hired a range of brilliant writers with distinct and informed points of view
¯\_(ツ)_/¯

Homer smiling politely.

Wait. His abstract, surrealist interpretations have intrigued me. Let's hear him out.

I see a million ripped-off "Frank Stallone" jokes here a week, but never once have I seen someone with the gumption to slag off Jackie for her weirdo psychic bullshit.

Pizza scissors are indeed a preferred method used by pizzerias that trend toward a specific old-world Italian tradition, and are a thing you can buy at Bed Bath & Beyond.

"This taco tastes like Italy!"

Sly's been shrewdly reading the trends in American audiences' interests. Now, more than ever, is a time for a return to the homoerotic undertones of Nighthawks.

Not to diminish your enjoyment/reverence for it, but Carnage and Venom are quite pointedly seen as prime examples of the over-the-top "extreme/edgy/antihero" fads of the late 80s to late 90s. Maximum Carnage specifically would undoubtedly be an indicator of peak saturation, with a simple but relatively gory plot that…