“Naido being reduced to a placeholder for Diane is another example of Lynch’s clumsy sidelining of non-white characters.”

Maybe it’s Baby’s First Critical Analysis to suggest that Twin Peaks: The Return is an extended meditation on both itself and the original run of episodes, but that’s the most coherent interpretation I have so far. I guess the only insight less piercing than that would be “Dale Cooper symbolically represents the…

Funny how that’s your only comment.