I don’t care how many Faks they add, The Bear is not a comedy.

I still prefer “Felicity Huffman’s Booty Academy: Los Angeles.”

I believe Hughes forgot the “JD Salinger Presents” in  Hollywoo Stars and Celebrities: What Do They Know? Do They Know Things?? Let’s Find Out!

“Celebrity WWTBAM (which we have already mentally re-filed as Hollywoo Stars And Celebrities: What Do They Know? Do They Know Things? Let’s Find Out)“

Show me on the doll where the women won’t touch you.

Seriously, take me back to the halcyon days of the 80s and 90s, when television shows and movies were definitely not engineered solely to sell toys.

This is cool for sure, but I gotta wonder why they didn’t just use Lakota speakers in the main roles, too. It’s not like Evans voiced Cap in any other foreign dub.

apocalypto was also 20 years ago.

Counterpoint: she’s just not a good actress and is uncharismatic, monotone, and dead-eyed in pretty much all of her roles. She’s at her best in talk show appearances when she’s just being a version of herself.

Seriously, why must repeatedly acting like a sack of shit give a guy a reputation??

I assumed it was about him single handedly stopping 9/11. 

This is a truly unique horror franchise. Thoughtful, character-centered, and tense without excess or trying to one-up the previous entries. The whiteboard for stories is wide open, and to get a different director’s vision could keep these going for a long time - like an anthology in movie form instead of episodic form.

I just need to know if the cat survives.

I really enjoyed about half of the episode…then I wanted to say, “ok, I get it…let’s move on.”

Damn...Eggers directed The Lighthouse, The Witch, and the Northman? I was just reading that to my kid, I gotta check his version out

Did you not watch TV in the late 90s and early 2000s? Justin used a blaccent regularly. 

Thanks for the shout out for the Art Department! It was a lot of work :)
Cheers from Prague

guy who goes to the movies twice in 5 years: it’s a shame theatres are so expensive now.

Yeah, I don’t get what the “industry plant” criticism means. It seems to imagine that there’s some way in the treasured past that we used to fairly and objectively decide who gets to become a famous musician, but now that process that been sullied by capitalism.

Why does it need to die, it is still good. You don’t like it stop watching it.