I’d gladly take FarmVille over people getting their social media dopamine hits from their Qanon page updates.

Twitch doesn’t want these carpetbagger racists coming in and taking views from their exclusive contracted racists, thankyouverymuch.

The sole thing I remember from this movie was a scene where Thurman tears off Wilson’s clothes while he’s in a work presentation and he’s depicted by a body double so blatant and egregious that it could have been a Naked Gun joke.

This sounds familiar to The Toys That Made Us, which had a lot of solid context and history that it sounds like this doc lacks, but used the same hyperactive, too-cute editing style. I don’t understand why projects that cater to gen x nostalgia also have to be presented like a commercial from that era.

To my surprise, what startled me the most about that ad was seeing the old crt television.

I’m doing my part to compensate by playing Kassandra and solely crewing my ship with every single available female romance option in the game.

This is staggeringly poor design.In both style and substance. I can’t imagine for the life of me that whatever few advertising dollars squeezed out of this antiquated, off-putting slideshow would be worth alienating any sentient being trying to engage with this site.

With Life in Aggro, it’s best to think of it less as a comic and more as a series of illustrated panels where some some may be interrelated and some may reference a thing, but neither of those elements guarantee a narrative.

1. Understandable

They wanted to provide that authentic stumbling around with a paint can stuck on head, foot shoved into a bucket DC experience.

James Adomian is a thin-skinned, whiny jackass, but his riff on Tom Hardy’s Bane voice cracks me up every damn time.

The voting base may not be a monolith, but their support for Trump is a very handy commonality I can use to categorize them together as a someone not worth listening to.

“When asked, Courtney will vocally enthuse about her support for Geraldine Ferraro, though the $20 accessory pack will include her 1984 ballot with a straight Republican ticket clearly marked.”

Oh for sure, but if you read all his other books, youd get the impression (rightly) that he despises everyone. But in his books at least, his misanthropy is wrapped in padded layers of shenanigans.

The only people who knew Ronald Dahl was an asshole were the people who personally interacted with him or had correspondence with him.

The show is surprisingly skint on actual superhero duke outs. You mostly have supers appearing, using their powers on civilians in dramatic/gory fashion, then taking off. For all the shocks, it’s a surprisingly blandly staged show. You rarely get an actual hero to hero slugfest.

This is assblow speculation on my part, but I also wonder if producers skittish about a moody, slow-burn sci-fi production want to ensure it has the broadest visual appeal possible to compensate for the Byzantine political and cultural machinations.

I’m glad you’re excited for it. There’s certainly few enough things in the world to be happy about right now that I’m not going to try and convince someone out of one of them. Like I say, I’m sure the movie will be rad. I just find the art direction to be a drag.

He made Blade Runner 2049 an incredibly worthwhile experience for a story that absolutely didn’t need to be told, and I enjoyed Arrival as well. I think he does great stuff and I’m very much excited for this. But you can only see Moebius’ illustration of a glam/femme Feyd Rautha so many times before you just assume…

The art direction is the one aspect of this that bums me out so far. The cast, director, and all that are impeccable, but visually it looks like Lynch’s with all the fun leeched out. Same high-collared military uniforms, minus the giant Czar Nicholas fur-lined robes.