Hard end seems a bit extreme  I wonder if they already had some issues going on behind the scenes?

Show me on the doll where the women won’t touch you.

Netflix is really turning itself into a clearinghouse for deeply unfunny people who are very mad that no one laughs along with their material, aren’t they?

Today I Learned: Joe Rogan is apparently a comedian

i bet the marketing department hated the name ‘get out’ too

Of course there are many titles one could fuck this series up with.

“director Jon M. Chu blamed the marketing department, which reportedly doesn’t like the word “don’t” in titles.”

“Now You Don’t” alone isn’t a great name. “Now You See Me: Now You Don’t” is.

Oh definitely. It’s dumb as hell but pretty dumb fun I’d say. Except for the end twist that (SPOILERS FOR A DECADE OLD MOVIE) Mark Ruffalo orchestrated the whole thing which undercuts the whole plot and means that the entire plot of him trying to catch them was pointless. It’s like if Ocean’s 11 ended with George…

Just like Tyrone!

“And I’m not a clone. I’m not a clone.”

I’m reminded of the band Cold, who got booed off the stage multiple shows on Weezer’s Green Album tour. It finally came out that they’d paid to get on the tour.

You could start with all of her Seinfeld cast members, who combined add up to like, three decent movie roles?  Wayne Knight probably had the best film career of the group.

Damn, I had hoped the new ownership meant the end of slideshows.

Can I just say the intro is waaaaay better now? I get the whole bloodlines angle last season but it was fairly bland. This? They went with a semi Baylax Tapestry kinda look and I’m a real sucker for that.

As crazy just for crazy’s sake most of the episode was, I did love Firecracker facetiming during the fight and as evidence that she infiltrated a Jewish cabal she points to the cardboard cutout of Tony Shalhoub.

I know The Boys is a lot of “shock for the sake of shock” but I also adore it for being easy to watch, often funny and happy to make the bad people really, very bad

All of these lack that sweet Laurel Canyon sound.

My theory has been that the hotel failed because its target customers — well off tech bros who love Star Wars — were disproportionately likely to find the in-person roleplaying elements to be deeply socially uncomfortable.

>everything and everyone ending up perfectly in place