Haha, every time I see that scene I wonder about it too.

Is that the NASA logo without the blue circle? I like it.

Damn, they did an amazing job staging these!

Hahah, it was just a horrible pun I wrote while procrastinating.

The producers decided to pass on the Jaws director, and he reportedly never let it go

$12,780. And it has to be new.

This is true.

Forget it.

I agree, especially with the dorky black strip. I feel like Tesla would have been better to just slap a big ol’ “T” in the middle of it and call it a day.

Wait, this is IT? I thought it was just camo on the cars they were letting the press drive.

Haha, I was actually being sarcastic on #5. 260 isn’t ideal in the real-world, but it’s up near the top of the industry benchmark right now.

1. I was inclined to agree on the design being hideous, but I’m warming to it. I'll have to see one in the flesh, though.

I’m trying, but I just can’t think of any way to explain this if I were to buy it.

Sounds like someone won’t be cashing in on the class-action lawsuit to come...

I was talking about the credits, but I had totally forgotten about Madonna in DAD (never realized that acronym...) before you mentioned it. Yeah, that theme was an atrocity, and the whole “invisible Aston” thing was ridiculous.

Oh wow, now I might have to get that album on vinyl. I just bought Thunderball & Goldfinger - just to listen to “Into Miami” as it would have been heard in 1964, on speakers of the same vintage - a few weeks ago; they were as cheap as 50 cents on Amazon/eBay.

Or in the words of the Guardian at the time, Moore was in a “nicely lubricated daze.” :)

The Simon theme was from The Spy Who Loved Me (a great soundtrack all-around with Marvin Hamlisch’s iconic compositions.)

I think the S90 will probably be similar in value to the Hyundai Genesis/Equus, and that's a good thing.