wrecksracer
Wrecksracer
wrecksracer

Miles better than Johnny Depp though.

Especially the bone marrow.

Maybe you are making a joke, but the Armand Hammer he is named after made his money in oil. He did buy some stock in Arm & Hammer as a joke, but the name is completely coincidental.

can we get gore verbinski out of director jail already? if guy ritchie gets 3 releases a year we can surely throw gore some dough.

Hold on, slow down. There was a script?

He didn’t have a lot to work with given the terrible script, though.

It might be a kind of boring reflection of reality but there literally are people trying to shoot up pizza parlors and goddamn actual Nazis out there who think others shouldn’t have rights because of their skin color.  It might be lazy but it’s nothing like ‘TDS’.

No! Disney must feed! The Mouse DEMANDS IT!

Ray Charles and Betty Carter.

I mean she’s on a major label, what you call being an “industry plant” is just the label doing it’s only job

“Actually, the Ewoks are more the Viet Cong because the Empire came to their home and they defeat them using low tech methods”

He’s literally just mad that young audiences don’t connect with his material, so he has to fabricate a reason why that isn’t his comedy sucking.

It’s a song about, as our Britt Hayes put it, “a woman being held hostage by some guy who may or may not have drugged her adult beverage.”

On point. The song is a time capsule of the way adults used to flirt. Within the context of the song there is no rapey vibe at all. People of that time probably just thought it was a cute way to demonstrate the playfulness of dating in a more reserved society.

Even most of the interview subjects they had were mostly ignored. Booker T and Steve Cropper were mostly there for soundbites instead of offering real insight into life at Stax and how they created some of the most amazing music.

People who like word puzzles? I mean what’s the problem with it?

It certainly could have been even more expansive. Many Stax artists get short shrift. And the racial tensions within Stax itself are only minimally explored. And it would have been interesting to include something about crosstown Memphis label Hi Records which had its own roster of important musicians like Al Green

Good for Pat Sajak, but Vanna White is my hero.

aVengers