wompthing
Womp Thing
wompthing

Those ladies have you hook line and sinker, eh? 

Irving Azoff is a LOT more than just ‘manager of the Black Keys’ - he was the CEO of Ticketmaster as well as CEO of Live Nation, so he’s probably one of the biggest reasons the concert industry is so fucked up today.

The performances from Snook, Strong, and Culkin were obviously fantastic in that scene from Succession, but a little bummed that Mcfadyen didn’t get a shout-out. I thought he was the actor who really held that whole episode together. 

Sean Evans is a really good interviewer. He knows what he’s doing.

sequel is one thing, i think it’s crazy he hasn’t even cameo’d in anything or been mentioned by anyone.

Finally, the culmination of all the exciting plot threads! Plot threads like... uh...

I feel like there are a lot of people who see Yang and project on him all their feelings and political beliefs.

Lukewarm take:  the Betelgeuse cartoon (not voiced by Keaton) was pretty damn good.

Jeremy Renner exists in the Glass Onion universe - his hot sauce is referenced in the last movie. So he may just be playing himself.

Jesse Plemmons with a shaved head looks a whole lot like Michael Rooker.

The thing is, other than the recognizable IP, what’s the point of re-launching, sequelling, prequelling, or whatever “The Exorcist” when you could just make a demonic possession movie without the baggage of a film series that has a single great film... which was released 51 years ago! It’s not like Blatty has a

I saw Black Keys at Lolla in 2007 in the middle of the day. I stayed pretty far back and ate while listening to them and ditched them early to go get a good spot for LCD Soundsystem. Anyway, I distinctly remember noting that I would imagine black keys would be better in a small club than in the big open field in the

...hmmm if only there was something currently happening within the Justice Department that was pertinent to the question posed by this article.

It’s as Scarlett as the nose on plain’s face.

Your use of “pig” reminded me of a John Waters quote about Roy Cohn (regarding Cohn & company doing cocaine in Provincetown): “I wouldn’t have my nostril on the same straw as that pig.”

Krasinski has long suffered the delusional self-confidence that infects many an actor turned auteur: that he can write. This was not helped, I suspect, by his rewriting of what (by reputation) was already a very solid A Quiet Place script. Many actors turned filmmaker are competent visualists but it’s rarer to find

I would take these allegations more seriously if they were made to the police and not on Instagram. 

How is they still getting work?

Let me save everyone a google:

ironic yearbook or k-mart style portrait poses were so de rigueur in the 00s that I wouldn’t necessarily lay the credit at the feet of one movie poster (especially when the photographer points directly to other contemporary advertisements as inspiration).