That's why I'm not believing sources that say Lord and Miller were so terrible to work with that the crew clapped when they left. Stories like that are pushed to make a producer who pulled last minute meddling last time look better than she is so fuck her for throwing them under the bus to save face. Completely…

I think it comes down to this: all that matters is the end result. Pick any great classic movie and i garuntee you the crew was not happy most of the time. But you only hear about that when the movie bombs. When it's a success no one cares what it took to get there. Sometimes the same behavior that makes someone an…

Hey now that's so he could fly to Krypton in a million dollar special effect scene that we cut because i like to make decisions after i spend a lot of other people's money

If those two had a track record of being difficult to work with you might have a point. They were hired because they're known for turning shitty ideas into money making success. Meanwhile the people who insisted ROGUE ONE needed more OOOO VADER LOOK VADER I KNOW VADER are meddling with yet another movie so i know…

Is there where you argue Singers Superman WASN'T a creepy dead beat dad that audiences rejected?

Not to get into this again but a SUPERMAN movie shouldn't have building after building Crush civilians while Superman is on the other side of the world fighting confusing CGI. Write your script in such a way that Superman is actually inspiring instead of an alien freak that Batfleck scowls at justifiably in the next…

I agree that a lot of money is wasted by directors who decide last minute that they don't like the color of the wallpaper but considering Lord and Millers track record i have more faith in their process than Kathleen Kennedys process of coming in after the movie is done and cramming in unnecessary Vader scenes.

But you know what you're signing up for as do i. No one is holding a gun to our head. If we'd rather have a nine to five well…plenty out there.

Clapping because a director got fired is so unprofessional. Fuck that crew.

It's more "if you never had a shitty friend who borrowed money but never paid it back that friend is probably you"

I'm asking you what you would say to a flat earther. Would you consider his point of view and listen to his points as if he wasn't bat shit insane?

You're right studios make the movie so why need a director at all? Just hire Brett Ratner. After all, all a director does is show up and say action right?

I'm a nice guy hiding outside my exes house and watching the kid i skipped out on sleep.

So it goes from he's just starting out so of course he saves no one right to now he's evil? When does the heroic part happen exactly?

Yeah is there any real difference? Superman shows up after Jimmy Olson is already dead and murders a man after most of the bad guys left.

Yikes. I get that writing an earnest heroic positive character is harder than writing a grim and gritty one But isn't that why writers are paid? TRY Warner Bros. Just TRY. And this time don't have the friendly Superman spy on his exes family

Going back to the incubator was a mistake. But as far as skewering the tech industry this season had the best joke ever when Jack was watching Gavin do every tech presentation.
"Then you….click on the drop down menu…"
"How am i ever going to TOP THAT?"

This is the part where i do the smug comic reader thing. "Do ho ho just you wait…"

For a second i thought the jazz band was playing against their will because God ordered them not to stop

Cassidy gotta eat