She should throw a black tennis skirt over the top of that catsuit and tell them all to eff off.

Honestly, the way that the story was phrased—“made from an ostrich” rather than “made from ostrich leather”—made me imagine something much more like this:

There's a Castle adaptation starring Sebastian Stan in post-production right now. It was supposed to premier this year, but there aren't any details that I can find.

It shook me for sure.

I mean, we did without it for over 200 years without dissolving into total anarchy, so “replace it with what we did before” sounds like a pretty legit plan.

Women of the Harlem Renaissance, right down the path from Shakespeare in Central Park. http://flavorwire.com/506177/20-female-harlem-renaissance-writers-you-should-know

They’re nevar put wrong-end front.

It’s ACTUALLY about the best man wanting to fuck the groom.

Tony managed it for a bit, so I imagine a combination of guilt and parental authority would do the trick—at least to the point of him not carrying the costume around with him all the time. Remember that Peter is only really able to Spider-Man because he’s keeping it a secret from May, and she’s allowing him to keep…

That sounds seriously awful, given that Aunt May just learned Peter is Spider-Man in Homecoming. So she apparently was cool with it, since Peter still has his costume in IW, and then Peter dies, May gets 2-3 years to deal with her grief and guilt for letting him continue super-heroing, and then he comes back? Jesus,…

You might want to look into which version you originally read: there’s the 1818, which she published at 19, and there’s the 1831, which she revised quite extensively (and, to my mind, poorly) which is also the one most people end up reading.

It’s a label I put on things to help remember that these people aren’t some neutral arbiters of what is good and/or beautiful, just that they’ve decided that they can make those judgments and keep out people they don’t like. Here, it’s just Netflix not getting to compete for a big award, but these are also the people…

That’s certainly what cultural gatekeepers call it.

The prestige that comes from having cultural gatekeepers proclaim your stuff good.

It’s not really a recent phenomenon—prestige horror goes in cycles in film, just like it does in literature.

Basically because control over women’s sexual autonomy and anti-choice politics are rooted in the eugenic movement of the early twentieth century, which is also the well-spring of Nazism.

I never realized he wrote Home Alone, but now that I know, that joke from Dogma makes a lot more sense.

The bit about needing to explain what rape is to an 8-year-old because other people think Back to the Future is more wholesome because it lacks curse words is why.

Doesn’t he play exactly this kind of person in Bamboozled?

94% of women who get an abortion identify as straight or heterosexual. 4% of women who get abortions identify as bisexual and fewer than 1% as lesbians.