whoisanonymous37
Anonymous37
whoisanonymous37

Especially since our parents might be more familiar with J.K. Simmons as a friendly psychiatrist from “Law and Order” or a policeman from “The Closer” the dopey yellow M&M from commercials, or perhaps a gruff but kindly father figure in any number of roles. So seeing him as like, a total monster might be a shock to

Yeah I’ll be the first to admit that while some of Goliath’s courtroom hijinks, especially in season 4, were a bit batshit and hard to believe, it didn’t take much away from how great the rest of the show was.

Whoa there. Goliath is great, what are you on about??

I’m sorry to tell you this, but Joe Pera is the famed serial killer “El Cuspador”

Close enough to figure Dexter out. Being close doesn’t always mean in a “friendly” way.

Counterpoint: Diesel in Boiler Room is better than anything Johnson has done. Dwayne has been in way more successful franchise, but there’s something very deliberate about his movie choice “okay I’ll do this franchise for this fanbase and I’ll do this one for that fanbase”.

You are probably right about the envy but Riddick is a great a character and a decent franchise. I actually think Johnson is the better actor, but as a leading man most of his catalog is mediocre, whereas Diesel has been the lead in gloriously trashy schlock classics (and a legitimately classic video game . He’s had

Hey, I’m all for a “Surprise, Lumberfucker!” Doakes appearance.

Biden’s America — S U P E R M A N, Krypton, United States, May 2021

People didn’t laugh at Johnson’s Trump because it wasn’t funny. Yes, it was technically very good, and the loopy choplogic topic switches were well written. But the precision ruined the comedy by making Trump seem too smart and engaged. That’s the problem with injecting too much cleverness into a Trump impression:

Billy Porter is coming off as one of those nasty queers that making BEING a nasty queer their whole personality.

I love Billy Porter and everything he does but this “apology” rubbed me the wrong damn way. How dare this man who has won Emmys in three of the last three years, and has a Tony, a Grammy, and countless other awards, and has been in extremely popular Broadway musicals and TV shows, play the whole “Oh I’m well known

I never really understood how it was controversial to believe Tony died. The entire final season is suffused with death in both plot and imagery. There are multiple scenes (most prominently, Bobby saying “you probably don’t even hear it when it happens” and the one where a guy gets whacked right next to Silvio and

I don’t know, I think people just wanted an ending, one way or the other. I haven’t watched the show, I was going to binge it all when it was over, but everyone I knew that watched it was so upset at no ending, that I decided to skip it.

I don't think the guy who wrote "Ellie Kemper finally releases statement on Veiled Prophet Ball controversy" is really in a position to pass judgement on paparazzi.

He has a producer credit because he was involved in developing the story. On the set, he’s just another actor. I doubt very seriously that he had any involvement in day-to-day operations other than making sure he knew his lines and hit his marks.

Surprised you don’t realize how incidental a producer credit is for a big-name actor in any given movie.

He was “A” producer. One out of twelve and not in any way in charge of the operational side of filming and production.

Look I think Baldwin is a real prick bastard but I haven't seen anything from this incident that I'd pin on him on particular.  He's just the most famous individual tied to it.  Get angry at the assistant director and the armorur.

After all, there’s no way Adrian could fake his own death and use his genius-level knowledge of optics technology to make himself disappear, is there? The 2020 version of the Invisible Man knows how to gaslight.”