whocareswellallbedeadsoon
525221111437866211651
whocareswellallbedeadsoon

I remember Jon making it pretty clear Biden’s not nearly as bad as Trump.

Ok, I’ll admit it’s been a while since I’ve seen Amélie, and I understand that any movie can be viewed from a racial perspective, but even if the director is racist does that mean the story of Amélie is?

There are plenty of problems with the Lost finale (though my hot take is that it’s the entire season which blows, not just the final hour), and it’s way frustrating that people slam it for something it didn’t even do.

Crimes of the Future is great, and she’s great in it.

Zionism has fried your brain.

She didn’t say she supports Hamas. She says she is against Palestinian civilians being killed which you appear to be very much in favor of.

Huh, I think non-white people from various backgrounds are capable of expressing empathy.  But what do I know?  

That’s a weird reaction to have to a pretty anodyne statement

The lesser half of his movies are still infinitely more watchable than 90% of what’s out there.

Jacobs said she nevertheless “would prefer to see a $200 million movie from an Osage filmmaker telling this history, any day of the week.”

Google “the Last Waltz” before you embarrass yourself again

They don’t have any writers working for them anymore. They fired them a couple years back. Now they have “content” creators and AI-created articles.

If your opinion is Scorsese is overrated and Marvel films are actually more important to film history, you shouldn’t be writing about film. And I say that as someone who

Roupenian is a fucking scumbag. She based the characters on two real people and put a great deal of their personal details into the story making them recognisable to anyone who knew them but then entirely made up all the negative stuff that went on, so to the people who knew the couple they’d assume this is what the

I agree with Lee, and also think Grave of the Fireflies should have had a few minutes devoted to what Oppenheimer was up to.

In general terms perhaps, but I think the situation does become greyer when it comes to the kind of Nanette-eseque “this is My Truth” autobiographical-confessional-didactical strain of stand-up comedy which has become a lot more common of late, where the whole point is that the comedian is supposed to be expounding

Big blockbuster movies aren’t going away, I know that, you know that, and Scorsese knows that. But so many people act like anything but bootlicking Hollywood are an argument to get rid of big blockbuster movies instead of what they are, a defense to keep the little guy from being annihilated.

“I’m my cocaine.” - Michael Caine

It…can be both? It’s not like Afterlife wasn’t also a heartless, unfunny cash grab.

Compared to who exactly? What directors has an entire filmography without any adaptation or inspirations?

By your standard Kubrick also can’t come up with original ideas, neither does Spielberg, Tarantino, David Fincher, Scorsese etc etc.
How dare they adapt books, hire screenwriters, make biopics or have original

Zero proof? What are you wanting? Eye witnesses? A blood and semen stained dress? Multiple victims reported their rape at the time to ethics officers within Scientology, and the prosecution was able to obtain those ethics reports. One also went to the police in 2004, and that spooked Masterson enough that he