I wish I could find it, but last week on Twitter there was an artist making the argument that the song's content and structure make it arguably a hip-hop song. It was fascinating!

I worked at a one-screen theater when we showed it. Every now and then there were evangelicals loudly sharing about how moved they were, but for the most part, people were just really quiet as they left, like they were shell-shocked. The theater owner arranged to have a priest in the lobby during opening weekend to…

Luann tried to sell her Sag Harbor house, but there’s an issue with her chidren’s trust — something like the house is in the trust’s name, or she has to give them a certain percentage? Anyway, she told them to buzz off and it sounds like the only way the kids could get her to change her mind was by having the courts…

Right? From a PR or legal standpoint, I don’t know why anyone could think this interview was a good idea. My guess is that CBS coughed up dough for it, because we know the man is broke.

Even in one of her last seasons, she did a show in which the audience consisted only of male survivors of sexual abuse. In her series finale, she thanked them for “lifting the wall of shame".

Babyface was THE hitmaker in the ‘90s and I thought it was so smart of her to hop on that train. Such an underrated, melancholy song.

I remember LMP being livid at Oprah for asking it, Oprah telling a raucous audience, “Oh, what, you all want to know, too!” and then LMP answering affirmatively.

Dropping out of Brooklyn College was the biggest failure of my life. This just made me sad.

I couldn't get through the Remember Me sequels but the first one was sooo good and soooooo sad! I don't care if he basically ripped off Ghost.

Ana Navarro is great but only on Fridays because she doesn't want to move to NYC. Tara Setmeyer has been on a few times and gave Meghan her ass on a dinner plate 

Christopher Pike was my JAM as a kid and I look back and realize how fucked up so many of those books were.

I have my hard copy ordered from Amazon and can't wait, either!

I trusted you! You wear glasses!

Her and Jean Smart and Melissa McCarthy were a trifecta of comedy HEAVEN on that show.

I have worked retail most of my life (I did not make good life choices) and the only time the music was great was when I worked at a Walgreens in a predominantly black neighborhood and corporate did certain things at our store that they only did for stores in such neighborhoods, and that included the playlist…

I worked at a Banana Republic one Christmas season and they had the same 12 songs. One was "The Christmas Song" by the Raveonettes. It's a very good song but it didn't help my loneliness and depression at all. ("All the snow is coming down now / I wish that I could stay")

That’s a very good list! I’ll give To Die For a pass because it was based on a true story. Up, Close and Personal was supposed to be a lot closer to a Jessica Savitch bio but the studio changed it to a regular sappy drama (goes to listen “Because You Loved Me” five times. Oh, Celine!)

Aww, I love that she won for GHOST. It's a brilliant comedic performance.

Also, Farrelly used that moment to condemn the Academy for not airing the makeup and hairstyling category during the broadcast before they reneged, saying without hair and makeup they would have had no movie.

I think a lot of voters went for Green Book because they were nervous about a best picture going to Netflix.