whiskeyclone--disqus
whiskey-clone
whiskeyclone--disqus

And in his speech he basically said 'well Jonathan Banks should have won this'

In his Reddit AMA a couple of years ago he confirmed that he used to post comments on SNPP around this period (including a hostile response to Homer's Phobia), so yeah it's definitely him.

I'd like to see a show about Peggy becoming the manager of a pizza place, but I'm not sure what i'd call it.

"Wait, you were in Boyhood…I mean my career is dead, but what are you doing here?!"

I was going to disagree with you, then realised my favourite episodes of this year so far are Sabotage and Taking Lives- the two that aren't fantasy films. I, Frankenstein was great, but maybe this explains why I've not heard the entirety of any of the last three episodes (though the bits I've heard, including the

I just watched the Last Man on Earth pilot and while I laughed quite a bit (Will Forte is a funny guy), I don't see what the fuss is about. What bothered me was how afraid the episode was of silence; I can understand Phil doing everything he can to make noise, but did we really need the constant soundtrack? I'd love

Employee of the Month is brutal but ends on what is ultimately a moment of triumph. Long Term Parking is devastating and hopeless. I think one reason the first half of S6 seems so frustrating is that after LTP, it was so clear how hopeless and damned all these characters and their world was that I was about ready to

Admittedly it doesn't get me quite as much as the end of The Luck of the Fryish- although that's more a beautiful ending than a devastating one.

Even if I don't consciously think about those scenes, because of them, whenever i see Seth Gilliam in anything, I become sad.

Honestly…I don't get the big deal over that scene. I'm a non-book reader, but I knew Robb died at some point beforehand, just not how. But all these people who found it shocking (and this goes for The Mountain and the Viper too): after three seasons, didn't you know what show you were watching? How is the good guys

2 > 3 > 7 > 4 > 5 > Who cares about 1 and 6, I didn't even watch most of the latter.

Dammit, I didn't actually know that, and I'm only on S6! I mean, I can't get mad at people for spoiling a show that's 22 years old but…dammit!!

I heard that it was Braff and Chalke who were particularly keen on the two ending up together

Also, will-they/won't-theys are dull most of the time, because many writers fail to create a proper reason why a couple should not get together, and so they inevitably will. This was what I admired about the early seasons of Scrubs; they asserted that JD and Elliot were just wrong for each other, though they

My understanding is Moonlighting fell apart right when its central pair got together not because of the end of the will-they/won't-they, but because its main writer left around the same time, and the show lost its voice. Someone else would know more about this than I do…

I know this is a Simpsons reference, but especially with regards to music, the idea of claiming ownership of certain sounds produced in a particular order feels completely against the spirit of music. I understand why it happens, and I'm not really sure what the alternative is, but I don't like it. Obvious point

Unusual opinion I know but…I prefer the film of Cloud Atlas to the book. I read the book first, and I liked it, but I was never really enthralled by it (and I kind of hated the section with the old people, where everyone was so deeply unpleasant). I preferred the way the film allowed different parts of the narratives

I believe the three nerds in the chat room are also based on writers.

Yes, I would say the same- I can't say I believe Adnan to be innocent at this point, but equally I can't say I believe he's guilty. I hear one thing and move slightly one way, I hear another and move the other way.

I guess that was just the way it went in my mind, based on how the evidence was presented, at first anyway (my feelings changed after that). But it felt like there was a definitive answer, and I loved the way any sense of something to hold onto evaporated.