Though I'm on the Dark Knight end of the discussion, I still have a lot of respect for Iron Man (but for sheer enjoyability I'd rather watch 3 over either of the first two)

Yeah, the music point is very true. I kind of love how "forgiving" that part of it is. You died? Whatever. Jump on in.

I bought VC for like a dollar or something on PS3 awhile back. Was having fun up until that mission, and I'm pretty sure I put it down at that point.

Only God Forgives feels like Hotline as well - slightly off and sour, atmospheric and nightmarish.

It's been stepping up its game, and I, like you, hope it sticks to what it's good at.

I'll be bottom.

Thank you. So basically they both make money if they cut a deal on this?

"I have the 2067 @TheGhostOfDBoonsGhost:disqus cut, as opposed to the cut he made in 2068 where he changed his mind on CGI wampas for three months."

Actually, in the new version I feel bad for Greedo. Poor guy was 3 feet away and can't land a single laser blast? An absolutely terrible hitman.

The worst addition for me, by far, is the dancing alien music boogaloo at Jabba's Palace. Every single moment of it rings false, and never has a moment felt more cloyingly (and ineffectively) designed only to attract kids.

I've never been quite about to describe what makes the Star Wars Christmas Album such a trash-treasure to me and my family, and why my brother and me have only made it successfully through Holiday Special once. One transcends its idiocy and becomes glorious; the other delves into the worst kind of self-indulgent,…

You are totally right, from what I hear: private collectors have original versions of the movie, they just have limited ability/power/need to distribute them. Basically only for private eyes.

I don't entirely understand the deal. So Fox retains distribution rights on the original movies (all 3 or just 2…?), but they can't make new Star Wars content? Only Disney can?

Was it the giant lollipop or the sailor outfit?

Yeah, good point: fuck whales.

Are you sure you didn't just stumble upon Wilford Brimley's waterfront cabin?

Queensreachabout, if you desire the proper parlance.

Yeah, maybe shifting that first fight up a little bit wouldn't affect things much.

She did lose her child though - not in the proper sense, but in that she was left for dead and her child was still taken away from her. She knows she lost her child, she just doesn't know to what extent.

Part 2 is stylistically and content wise, much different. I won't say much, but it's much more character-focused and is less an ode to samurai movies.